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Floundering
in movie purgatory for a few years, "Case 39" is a supernatural thriller
that has managed to be not only an indicator of its star status and how
far its performers have come, but it's also a statement that sometimes,
just sometimes, studios can be on to something when they shelve or keep
movies back in production. Held back for four years only released in the
UK and now just being introduced to American theaters (maybe due to
Bradley Cooper's rising star status), "Case 39" is about as horrible a
movie as you can imagine. It's a movie that should have just been given
a DVD release instead of a theatrical release as a movie starring Cooper
pre-"The Hangover" fame. Hint: During filming he clearly wasn't a big
enough star to live through the whole movie. Aside from a pretty hideous
death involving hornets (albeit apparently ripped off of "Creepshow"),
"Case 39" is a meandering and often tedious little thriller reliant on
drama and a slow witted child counselor who sees the signs of an evil
child and doesn't act against her until people start dying around her.
Renee Zellweger gives an awful performance as Emily Jenkins, a sweet but
work obsessed child welfare worker who takes time out to whisper
everything she speaks and engage in a mostly eye roll inducing
relationship with her friend Douglas (as played by Cooper). She
encounters Case 39, where she must confront the parents of a young girl
named Lily who is horrified to speak out against them and explain that
they're harboring a plot to kill her.
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After a few annoying incidents
defying common sense and logic, and a horribly drawn out
murder attempt, Emily gains custody of Lily and the two form
a bond that has to be strong enough for us to believe she
wants to be her mother. Through montages and scenes of
dialogue lacking any form of chemistry or maternal tension,
Lily soon begins to reveal a whole other side to her
sneaking in to her possessions, antagonizing Cooper's
character when he tries to counsel her, and denying taking
part in a terrible murder involving a young boy from her
counseling group who insists Lily called him the night he
killed his parents. |
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Jordan Ferland has the
proper amount of innocence to be believable as this little monster head
case, but her performance is hammy.
Ian McShane squanders
his talents even more this time around as the police officer Mike who
aids Emily in her quest to save Lily and then quickly turns on her when
he's convinced she's had a hand in the murders taking place around them.
McShane gives about as cringe inducing a performance as you can imagine.
There's even a hilarious response when he stops Lily's parents from
frying her in an oven to where he beats them up after they attempt to
stop their intrusion and shrugs calmly "What is wrong with you people?"
Clearly this is a man collecting an easy payday. The final half of "Case
39" involves an ambiguous origin of Lily, really irritating supernatural
incidents, and Emily's struggle to convince others Lily is pure total
evil--and we all know how that usually ends, don't we? If you're willing
to sit through a movie that is about as fun as watching paint dry and as
tense as a game of Bingo, "Case 39" is definitely your bag. Be sure to
expect more yawns than gasps, though.
If you're looking for
thrills, chills, and spooks going in to "Case 39" you'll be about as out
of luck as anyone who has wasted their hard earned money could be. With
zero tension, little suspense, a clear lack of knowledge or focus, and
cringe inducing performances from a seasoned cast, your time is best
spent on a more worthwhile endeavor. I can cover my eyes and point to a
horror movie at random that would be more entertaining.
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