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Robert
Lieberman's dose of mean spirited brutally disgusting torture porn
entitled "The Tortured" is a lot like "Hard Candy" except dunderheaded,
half-witted, and a pure right wing cartoon. Two young good looking
parents in an upper class neighborhood are angry that the police aren't
doing enough to find their son who was kidnapped before husband Craig's
very eyes in their back yard one day. Wife Elise of course barely blames
her husband, except blames the authorities. We learn all of this
information in only the first five minutes of the film that speeds
through the kidnapping, the investigation, Elise's anguish at the
kidnapping, and we even visit the hilariously cartoonish Koslowski, a
pedophile hillbilly too ridiculous to be horrified of. Poor Bill Moseley
was obviously asked to channel the character Otis from his Rob Zombie
days and is a man who is the very definition of the pedophile
caricature. He plays lullabies, talks like a daddy, and is so out of his
mind he's busted before he even gets away with his vicious crime. "The
Tortured" is then followed down a self-righteous path of moral
preaching, right wing social commentary and painfully hammy acting from
Erika Christensen (what a decline from "Traffic"!) and Jessie Metcalfe,
both of whom are barely believable as a couple let alone grieving
parents.
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For most of the film they feel
like drama school rejects, especially Metcalfe who screeches
and screams at every opportunity. Leiberman has very little
to work with here so the film is reduced to being about as
emotionally manipulative as humanly possible. So we're
exposed to Christensen moaning at the sight of her child's
corpse while witnessing flashbacks to her holding him as a
newborn and feeding him. Leiberman is clinging to emotional
chords from minute one, and none of it is at all pleasant or
original. |
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We know literally
nothing about any of these characters and we're never given time to
explore them or empathize with them because at under eighty minutes,
Leiberman can't emphasize their humanity and doesn't seem interested in
doing so, since the film's primary hook is the torture of an evil
pedophile by the upper class white parents of a small child. However,
there are some hilariously bad moments of pure schlock that include
Elise begging her husband to buy her a gun, their attempts to drug
officers transferring Koslowski to a local prison, and both Christensen
and Metcalfe monologuing to a drug induced Koslowski like Boris and
Natasha from "Rocky and Bullwinkle." and possibly one of the most
insulting surprise endings I've ever seen. I can't begin to express how
much of a waste of time, "The Tortured" is. It's a sick abomination, an
excuse to squeeze in an hour of torture between eighteen minutes of
melodrama and schlock that I could barely stomach.
Practically a parody of
revenge films, "The Tortured" is a moronic, simple-minded, sadistic, eye
roll inducing mess that preaches to the audience with a thick social
commentary gloss that is used to hide the fact that in the end this is
nothing but terrible piece of awful torture porn. For a better example
of this material watch "Hard Candy," "Eye for an Eye," "Last House on
the Left," or even "Masters of Horror: Family," anything but this
mind-numbing piece of self important dreck.
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