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I still say that the two best representations of the legend of sleepy
hollow were from Disney decades ago, and by Tim Burton whose own “Sleepy
Hollow” was as good an adaptation as you can get. I didn’t expect
“Headless Horseman” to live up to these standards, because it’s clearly
a low budget horror effort, but hell, when you spin on the Sleepy Hollow
tale, you have some responsibility to entertain. And if you fail, you’re
going to fall hard. “Headless Horseman” is that exact movie that takes a
classic tale and turns it into much more clichés. There’s a bunch of
white bread actors playing college students who are on the road
traveling to a party… I think. Their van breaks down, and they end up in
an old Southern town where old characters mutter chestnuts like “Y’all
just passing through, huh?” Ferrante, director of “Boo,” a film I’ve yet
to bother watching, really twists the story for the sake of avoiding
anachronisms and error in facts, especially insisting that the character
of the headless horseman really didn’t strike in New England, but the
Southern town they happen upon.
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they settle in and discover the odd town filled with ancient
buildings and run of the mill attempted surrealism (Dwarfs?
Really? Who uses Dwarfs for surrealism, anymore?), eventually, “Headless
Horseman” turns into “Texas Chainsaw Massacre” with the
iconic horror character in place of Leatherface. There are
abandoned wrecked cars, creaky old houses, crusty residents,
and for the first time ever, the Headless Horseman is
completely void of personality or menace. |
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So, yet again, we’re forced to watch a
group of twenty something’s stroll into this decrepit town and display a
shocking amount of apathy once one of their friends gets his head lopped
off. The
obligatory hot member of the town explains the convoluted origin of the
headless horseman, and our characters even come across a psychotic
sheriff who brought back painful flashbacks of R. Lee Ermy. That’s
probably the sole intent. Remaking the “TCM” remake without avoiding the
copyright infringement, and Ferrante succeeds in giving us a classic
monster that is about as much of a one dimensional prop as ever.
Ferrante craftily keeps the horseman at arms view so we don’t have to
see that his head is still attached, and the rest is done through
propped up dummies, actors with suits over their heads, and one wide
shot that probably took up most of the film’s budget. And once the
Horseman loses his horse and takes to riding a motorcycle, well… I knew
everyone involved had all but given up.
The direct of "Boo" serves up a bonafide dud of a horror film that
pretends to be a spin on the Headless Horseman but really is just
another rip off of "The Texas Chainsaw Massacre." B movie fans need
apply, for everyone else, there's nothing to see here.
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