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HEAVY SOUL
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With a great opening partly reminiscent of "Reefer Madness" and partly that of "The Outer Limits" we're thrust in to 1959 where sweet little Dakota who lies in her room and listens to Johnny B records all day is introduced in to the world of single parenthood, gangsters, drugs, and alcohol and slowly declines in to madness and drug hazes of her favorite singer who acts as her demon, taunting her endlessly. "Heavy Soul" in all its weirdness feels immensely genuine as if it'd jumped out of the fifties era and hardly ever looks like a true indie. The hallucinations and moody music are used as well crafted plot devices to induce the drug haze of Dakota and watching this idyllic girl fade in to drug abuse based on morbid curiosity and succumbing to the media inflicted hysteria, or just showing the sheer paranoia of the conservative media's view of children losing their innocence.
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