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I’ll say
something I’ve had a hard time admitting since I finished Miyazaki’s
latest film from Studio Ghibli. Okay, here it goes. Ready? Okay. I’m
going to do it. Okay… “Howl’s Moving Castle” is probably one of the
weaker entries from Miyazaki. There, I said it. I enjoyed it, I enjoyed
it very much. But did it grab me by the heart and keep me watching with
full attention the whole way through? Not really. However, Miyazaki’s
films have one thing for them that you can not deny. Originality.
“Howl’s Moving Castle” is original, and it’s brutally entertaining, and
that’s why I enjoyed this very much.
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Sure, I was watching the American dubbing (accidental,
give me a break), but “Howl’s Moving Castle” possesses more unique
fantasy elements and plot progression that really kept me in awe
constantly. A scarecrow that follows our heroine like a lovesick dog? An
old dog that weighs a ton? A little boy who masquerades as an old man?
And a heroine who turns into an elderly woman sporadically? You take a
look at Miyazaki’s universe and you’re nothing short of breath taken the
entire time. |
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And I love the man for that. He’s a genius. Studio Ghibli
is amazing. And man, Miyazaki’s films are never just films. They’re so much more. “Howl’s Moving Castle” is about
life and about living it while you can, as Miyazaki once again instates
the prevalent anti-war sentiment that becomes a backdrop incessantly
interrupting our characters life. Our heroine is a young plain
Jane named Sophie who confines herself to a hat shop all day long.
Accidentally coming across a sorcerer named Howl, she’s cursed, in
revenge, by the Witch of the Waste. This turns her into an old woman. As
this old woman, she learns to live life and find peace. Something she
never had with her youth and opportunities. Miyazaki makes such a poetic
statement in that regard about how she discovers life through age, and
realizes she could never do so through shallow youth.
She’s then
cooped up with different entities in Howl’s amazing moving castle. In it
she finds a living fire that has to run Howl’s world, a young boy
learning under Howl, and Howl. Who is vain beyond belief, a coward,
cruel, and utterly convinced that creating different magic mechanisms
will keep his loved ones close by, because outside he’s an Adonis, but
inside he’s just a hollow demon with nothing to offer. This is a man who
can never see the big picture, and somehow he’s a rather intriguing
character to behold. “Howl’s Moving Castle” is an entertaining entry from
the man, Miyazaki, even if it’s not his best.
I was a little more than disappointed, mainly because Miyazaki spends
too much time on the characters, and their little foibles that, halfway
into the film, there's rarely any sort of forward progression, or
development. We never learn enough about Sophie, we never learn enough
about Howl's sidekick Marco, and just when we're getting the point where
finally we can drive the story forward, "Howl's" becomes almost too
elaborate to explain to younger children. I found myself lost on
separate occasions wondering what motivation certain characters had
toward the queen, and what the entire sequence involving Sophie going
back in time through a portal to view Howl as a young boy, meant in the
first place. "Howl's" is a very good entry from Miyazaki, but it just
never hits the right notes that "Totoro" or "Spirited Away" hit in their
basic unveiling to the public. The magic is there, but the awe is
missing in action, and Miyazaki doesn't seem present.
Even though it's not the best of Miyazaki's offerings, "Howl's Moving
Castle" is still a very good fantasy epic about life, war, and a young
learning to live through old age. With amazing animation, an original
story, and a satisfying climax, Miyazaki hits the mark hard with a few
missteps along the way.
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