|
JARHEAD
|
|||||||||||
|
For a person like me it could be thought of as the former, but really "Jarhead" felt a lot more like a man who went to a war that never happened. It's simply a man showing what he did in the military that was anything but combat. But, for me, in a sense Swafford proclaims battle, war, and basic military bravado is merely nothing, and a vast void. Nothing but machismo for a ridiculous result in the end, a result of nothing, absolute zero. Sam Mendes creates a stunning and gritty film that takes the non-fiction memoir and turns it in to a very good war dramedy about these miscreants and outcasts who formed a friendship while waiting their battle. Through this time spent they were psychologically juiced up to prepare for battle with screenings of "Apocalypse Now" and constantly being trained to take on enemies, and such futility is well handled through Gyllenhaal's melancholy performance. Gyllenhaal in his years of acting has a sheer smooth talent for starring as characters with no real life or future and he gives an excellent performance holding his own against the seasoned cast. Sam Mendes takes much of the visual style he used in his first two films and injects it in to this psychological war opus that less focuses on war and more focuses on the male entities built-up aggression and potentially damaging effects of not being able to release it while exploring the emotions of these soldiers whom join the military to feel adequate, important, and worthy--and asks "Is it all just an empty pursuit?" It's a shame Mendes doesn't direct very often. What the fuck are you doing with your time then, man? Either way, Mendes gives yet another ace directing job and paints some amazing sequences on the screen, one of which being the rain of oil on the battlefield. There's an excellent cast of actors from Peter Saarsgard who pulls in yet another good performance, and Jamie Foxx who is hilarious as the drill sergeant who gets such a kick out of his job, he'd rather be there than at home. And Chris Cooper has a memorable cameo in the spirit of Duvall in "Apocalypse Now". And in the end, Mendes takes a step back and explores these characters and makes us wonder if this meaningless journey was meaningless at all.
|
||||||||||||
|
|
||||||||||||
|
Have something to say about this review? Pop on over to Cinema-Lunatics
and speak your mind in our Answer Back! Forums >> |
|
[
Link to
Us | FAQ |
Top^
] ¤ ¤ ¤ |