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Aesthetically, “Johnny Suede” is a gorgeous movie, and it’s one that
looks like it could be set any time with the cityscapes awfully
appealing even when we set down on gutters and ghettoes. DiCillo has a
great eye for pastels and fifties chic set pieces, and one of the treats
of the film is the visual oddities that are subtle enough to miss but
never forgettable.
I give “Johnny Suede” credit for being original, and unusual and
surreal. Hell, if David Lynch made a musical comedy, I think this film
would be it. But what’s the ultimate caveats that drag the film down
into pure horrid depths? Tedium and acting. This story of a perpetually
naïve young man who can’t quite understand how delusional he is in his
pipe dream of becoming a huge star would have been better served had we
been given a better leading man, but alas Pitt once again convinces me
that he’s just not a good actor. Granted, it’s an early role, but Pitt
could never convince me he’s a solid performer aside from his brief
stint in “Snatch.”
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Here, he’s always working on half cocked as a typical music
lover who feels his good looks and style will grant him his
entitled fame as a music star. While DiCillo does admirably
vie for unusual with Suede creating songs that are so broad
they’re absurd, the overall dynamic between Pitt and his
co-stars are often very flat. Pitt simply can’t keep up with
folks like Keener and Nick Cave, and when the story is
reliant on his delusions and fantasies of being a big rock
star, it’s sadly a flat affair.
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Everything beyond him is a fairly tedious string of events that never
can be witty as it so desperately strives for. His interactions with his
friend Deke, his song about eating a carrot for breakfast, and his
inevitable romance with a woman who thrives on his jealousy and anger is
all such tedious fluff without a point nor a purpose. The point of Suede
getting Black Suede shoes due to some serendipity in a phone booth in
which a good deed gets him a heavenly gift that may or may not have been
intentional. Nonetheless, DiCillo’s film is a rather repetitive affair
with dialogue that’s just filled nonsensical discussions of Suede’s
music and his eventual meeting with a woman who provides a reality
check, but not even Keener can competently bring this film to a higher
plain of entertainment. “Johnny Suede” has a lot of appeal and
potential, but it’s sadly a wasted and utterly terrible experience.
I really have to
the appreciate the surreality, and originality it strives in bringing,
but “Johnny Suede” as a whole is tedious, dull, and really sports a bevy
of weak performances, particularly from Brad Pitt.
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