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Director Stuart Gordon, the man who
brought us the cult classic "Re-Animator" tells the tale of revenge in
this low budget thriller about a young man named Sean Crawley, an out of
work struggling man with no clue to his purpose or what he's doing but
takes any job he can get. After meeting a man named Duke in one of his
jobs, Duke (George Wendt: Cheers) makes him a job offer. The details he
gives him are vague and he seems to dance around what the job entails,
but desperate, Sean agrees to meet with Duke's boss Ray (Daniel Baldwin)
a cocky self-assured rich man who tells Sean he wants a rival of his
(Ron Livingston in a walk on role) followed.
Sean agrees to tail his rival and proceeds to do so for a number of days
until he's approached by Ray to kill him and eliminate him as
competition. Sean, desperate for money, but terrified of committing such
an act reluctantly agrees and proceeds to kill his mark quite violently
leaving no trace of himself. Sean attempts to get his pay but is gypped
by Duke who warns him to leave town but Sean with proof of his work
threatens to expose him if he doesn't pay him. He's then driven out to
the middle of nowhere, held in a shed, and is tortured for days on end.
After days of merciless torture, he manages to escape and now decides to
seek vengeance.
I've never seen Re-Animator, yes as a horror fan I should have, but I
never got around to it, but I have heard about this film over the net
and I grabbed a copy, curious to see what I may stumble upon, and what I
got was a pretty good revenge story. Chris McKenna who's in his first
starring role is appealing and amusing as the young Sean who we're never
really sure of. He seems normal but he always looks like he has a tick
or something and the torture he has inflicted upon him is just horrible
and inevitably he's pushed over the edge basically going mad. McKenna is
a likable actor who brings a sense of humility to Sean and we want to
see what happens to him and if he'll make it through. He looks pretty
bad ass wielding a sledge hammer and performing his last act of
vengeance in the climax. Much like "Taxi Driver's" Travis Bickle, he's a
basically everyday man who's pushed over the edge and brings it upon
himself to put a stop to it once and for all.
Kari Wuhrer the B movie queen who still looks damn good plays Susan, the
wife of Sean's target is a good supporting character providing a source
of attempted redemption for Sean who is being torn up inside and out
with guilt for ruining her life, and halfway through the film, without
knowing who he is, Susan takes him in to her home where Sean seemingly
begins living the perfect life with her, until his past shameful
exploits come into play and he sees no other recourse than to strike
back and erase his sins. The title "King of the Ants" bears some real
symbolic resonance as we get to find out what it exactly means during
the progression of the story watching Sean learn about his "purpose" as
he basically loses his insanity, and all form of conscience.
Daniel Baldwin and George Wendt (Norm!!) are amusing as the resident
villains here spawning just purely despicable personalities and
homicidal tendencies that will surely get under your skin including
Wendt who departs from his usual good guy image and just goes hog wild
with his villain role becoming a true prick when torturing or trading
words with Sean. Meanwhile there are some pretty interesting gory scenes
here including Livingston's rather violent brutal death, Livingston
comes to play as a great actor increasing the sheer brutality of his
death, Sean's torture in the shed that will perhaps get to people as it
did me, and his violent strike back at his tormentors which left a lot
to be desired but was nonetheless chaotic in its simplicity. This is a
rather disturbing film most of the time with scenery that will just
become unbearable at times, but nonetheless it's a nice tale of
vengeance with some primo acting.
Sometimes this film was
just so stupid I found myself rolling my eyes quite bit. Attempting to
be very conceptual and artistic, it's safe to say when watching that
Gordon doesn't have a clue how to with some really dumb imagery. There
are some exaggerated close-up shots, a lot of dream imagery and the
worst, the series of hallucinations Sean experiences in the shed.
Sure, it's a product of his torture with his rapidly decreasing sanity
and logic as he's thwacked on the head over and over which make for some
really idiotic hallucinations including his nightmares with the
character Susan, and one really idiotic sequence where she's shown as a
creature eating its own feces. Though it really tries to be intelligent
with these sequences its poorly executed and just didn't impress me.
We don't ever really get enough attention paid to Sean's decreasing
mental state, only his hallucinations and a little violent behavior, but
considering how the story develops with Wuhrer's character, I would have
loved to see him become more psychotic which would have helped the movie
become more gruesome but it never takes that part which is pretty
disappointing. Aside from that we never feel Sean has been taken as a
victim, we're never able to sympathize for him because if he's smart
enough to set up his enemies, why wasn't he smart enough to detect their
betrayal in the first place, so all we have in the end is a snake
setting up other snakes.
Most of all the film does take dabbles in soft-corn pornography with
very unnecessary sex scenes that drag on way too long, most of it would
have served better if left to the viewer's imagination. Otherwise,
director Gordon approaches the filmmaking here with a very low tech
method with barely any theme music, some pretty choppy editing and
camera work and a pretty gritty cinematography job. The story is pretty
cool despite an ending that is basically anti-climactic.
We get all the build-up from the middle of the film, we know these guys
deserve to be hurt bad, but the scene where Sean finally gets his
revenge isn't exciting. If Gordon had taken the routine route, it would
have been better suited, but there's a very dumb scene where Sean fills
a house up with Carbon Monoxide and throws a cocktail bomb inside, yet
it doesn't explode in his face, only when he turns to walk off does it
explode, lapses of logic such as this and a pretty dull climax make this
really just sub-par material with a pretty cool concept.
Though sometimes really stupid and unnecessarily sexual, it's still a nice
low key, gory, and suspenseful revenge yarn with some great acting ala
McKenna, Wendt, Wuhrer and Baldwin.

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