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LADDER 49
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More daring films like "The Guys" tackled the real life of firefighters while daring to tackle the emotional rollercoaster of 9/11. People expecting another "Backdraft" are sure to be disappointed, now as much I appreciated the talent and directing behind that particular film in which this suffered being compared to, "Ladder 49" is superior in both story and characterization, and from what I've read in past reviews, a hell of a lot more faithful to the mechanics of firefighting. This sticks through and through to the realism of firefighting and does not become a movie about superheroes, it's a movie about one man, another firefighter who risked his life every day. This film really depicts the heroism and courage it takes to be a firefighter, and shows just how utterly unappreciated they are even after 9/11. Many people will hate this for its crushing climax, but I enjoyed it simply because the writers approach the realism of life and death with unflinching guts and never sugar-coat the situation to spare the audiences emotions, but that's not to say it's all melodrama and heart tugging emotions. There are a lot of glimpses into the firehouse life and the life of firefighters from their bond as brothers by blood, from their antics which are really funny to watch, and then their emotional recoveries when one of them are lost in the fire. The movie ranges from gripping, to lighthearted within moments notice, but the film does portray the life of a hero with as much realism it can strike up. Taking on the reins for leads are John Travolta and, my personal favorite, Joaquin Phoenix. I love Phoenix in everything he does simply for his knack for immersing himself in any character he portrays. He has an unusual look but none of that seems to matter when he's on-screen and often demands attention from the audience within his character and is very likable as Jack Morrison the quiet unassuming rookie for the firehouse. Travolta takes second billing and is co-star playing Captain Mike Kennedy, a truly courageous hero and often times moral center and conscience for Jack whenever his life is in turmoil. Travolta can chew the scenery when given the wrong role, but he's very low-key here and gives a good performance. The two are believable, and have good chemistry as student-mentor paradox. I was entertained with the entire film from the ups and down and the portrait painted here is rather heartbreaking, and, I imagine, an all too disturbing reality for anyone connected to a firefighter.
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