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MEMOIRS OF A
GEISHA
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Marshall's direction is gorgeous taking full advantage of the scenery before the lens, and takes every such advantage to expose the fantastic production qualities before us likening his film to a moving painting that's luminescent and pleasing to the eyes. Marshall's productions also sports a truly talented cast of refined actors all of whom give very good performances. Michelle Yeoh gives an excellent performance as Mameha, an older Geisha teaching young Chiyo how to master the art of the Geisha. Though her performance is mostly instrumental as means of pushing the plot forward, Yeoh takes advantage of the performance and makes it her own, while Ziyi Zhang is subtle and gorgeous as Chiyo who is to become the most famous Geisha in Japan. Zhang's performance is sublime as the conflicted Chiyo who becomes a renowned Geisha (for obvious reasons) and is forced to choose where her loyalties lie in her home while being guided by Mameha to keep on the straight and narrow. "Memoirs" doesn't only chronicle the life of a famous geisha, but also explores her journey through life, and the evolution of her civilization through the first world war. Ken Watanabe has an especially stand out performance as The Chairman, a man who comes across Chiyo as a child and forms a romance for her that transcends time. "Memoirs" is filled with very good performances that keep the film afloat, and kept me watching with baited breath.
Maybe the disingenuous sense of reality shown in "Memoirs" is one of the reasons why this was snubbed by the Academy. My theory was that this was an apparent grab for awards, and there's a film like this every year. If the executives wanted to stand out, they should have made the film in the language of the land it takes place in, and then add subtitles. Stop catering to idiot Americans whom have a stigma for subtitles. "Memoirs" feels much too artificial with set pieces that never look genuine, and more like Hollywood back lots, while it rambles on for the first hour without much of an interesting story. The Geisha are a fascinating subject in history and cultures, and there's so much potential for a unique story that could stand out among Hollywood productions, yet it insists on being a mediocre soap opera about women plotting behind each other's backs, and melodramatic romance. All of which are accompanied by often hokey dialogue, and utterly self-congratulatory narration that's really never useful and more unnecessary. The narration too often states the obvious and explores thoughts that can be expressed with better editing. "Memoirs" is sadly a forgettable experience with a plot that evolves with less and less texture.
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