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MIRRORMASK
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Loenidas turns a potentially whiny character into one truly entertaining heroine who has a large task ahead of her, and has fun saving her world. “Mirrormask” is the story of a young girl who lives on the road with her family working for a circus. She wants stability and monotony and feels put upon to perform. When her mother takes ill, the wish is granted, and suddenly she finds she needs to escape the reality she longed for. I just enjoyed the hell out of “Mirrormask,” and this is surprising to me. Since its release I’ve heard nothing but mixed reviews, not to mention large expectations ultimately lead to disappointment. But what “Mirrormask” does is offer originality. Something rare these days, especially when most people live and die by “Harry Potter.”
Is the world she’s in real, or just a state of mind? Or perhaps it’s both. Either way, what inevitably won me over were the utterly surreal visuals, including one particularly haunting sequence involving the character Helena being dressed and lulled into a trance by a truly haunting rendition of “Close to You.” I still can’t explain it, but that scene has stuck into my head hours after viewing this. Overall, “Mirrormask” is a film I absolutely loved, and I realized this once I recollected the direction and utterly raw visual effects and drew a smile. It’s not often a film like this can suck me in, but it did, and it’s a lovely trip of “Alice in Wonderland” a la Pink Floyd.
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