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MUNICH
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What makes this movie good is that it’s none of the above at a time when it very easily could be. It’s a story of the human cost of revenge, honestly, and it favors neither side. It shows Bana’s character to be asinine and righteous, it shows the PLO to be asinine and righteous, and it shows, graphically, the consequences of the sin of wrath. If anything, it’s an indictment of the fact that we have to live in a time where righteous vengeance is also painful despite being necessary, and that its necessity is only based on your geographical location. It’s the proverbial “One man’s terrorist” story. All of the characters are developed, unlike in most movie, and the cinematography is just incredible on many levels. Spielberg continues to have the best cinematography in film, whether he’s doing pop summer crap or serious film.
The ending, like "Walk the Line", leaves you seeking resolution. We know what happened to the terrorists, but what happened to Bana’s character? Also, it’s hard to carry a movie where you don’t like every single character for some reason or another.
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