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KAZE NO TANI NO
NAUSHIKA
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"Nausicaä" is one of the darker entries in Miyazaki's filmography featuring a story of a post-apocalyptic society, a basic biological wasteland, and monsters whom seek to destroy beyond everything else. However, it is also one of the more adult entries which tracks the heroine Nausicaä trying to keep her beloved valley of the wind from being destroyed by Ohm's humongous snail like monsters, the sea of decay a rapidly growing toxic organism that's destroyed most of Earth, and an evil empire whom wants to raise a gigantic monster to destroy rival countries. Nausicaä, as a heroine is more of a spiritual entity who can hone in on emotions of the creatures in the forest, and basically knows how to lead her people whom deify her. In spite of the vast array of characters, though, my favorite was Lord Yupa, the mysterious traveler who is also a world renowned swordsman. Once again, Miyazaki's entry is nothing short of spectacular landscapes and scenery. He paints the world and wilderness as often confining and cluttered while the sky is once again open and limitless in its dimension. "Nausicaä" and its plot is mostly centered around the race to save the valley of the wind setting the stage for a spectacular climax that was also immensely beautiful, but there's also some very good action sequences that really amount to the most exciting scenes. Miyazaki displays his imagination for all to see, and really does give us a world filled with both danger and wonder. In this land, decay has spread all over the world and most of the forests are indeed poisonous; but in a way the valley of the wind is that untouched Utopia destined to be destroyed by man's greed, and the biological tragedy that continues to plague the world. Much of the film's best moments rely on the power of human bonding as we witness these villagers relying on Nausicaä to help them overcome the military's hold, and these monsters potential destruction, while Miyazaki gives us utterly beautiful mid-air scenes, and interesting characters that actually have dimensions within dimensions and aren't based around their concepts.
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