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OSAMA
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Filmed after the fall of the Taliban, “Osama” opens with a protest of many Burka clad women begging for better rights since they can not work now that their husbands have died. Their protests are immediately silenced though, as the Taliban raids the scene, and strikes them down. The world depicted in “Osama” is a world that still exists. Women starve to death, resort to prostitution and begging, and have no rights. They can not think, speak, or even sing. In one scene, a marriage celebration is hushed at the presence of the Taliban. The girl depicted in “Osama” basically has no name, and she’s more a symbol of the women in this world who has no chance of survival or living safely. She’s forced to bring her dress down, can not smile or laugh, and is at the mercy of men. After her father and brother are lost, her mother, desperate for some sense of relief, cuts her daughter’s hair and forces her to masquerade as a boy. The girl is then pushed out into a male dominated society and attempts to work, and live as a boy and the tension rises. The impending doom that mounts minute by minute is gripping, and Barmak simply doesn’t sugar coat a thing. Going by the name Osama, the young girl seeks to live as a boy, even though she’s aware it’s almost impossible. Osama is played by the beautiful Marina Golbahari, whose performance is utterly exceptional, and criminally overlooked. “Osama” is a film that’s simply not a work of fiction, because it’s happened before, and it continues happening to this day. It’s accepted, and there’s nothing really left to be done in that world. Which is why “Osama” has to be seen.
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