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THE PEOPLE UNDER
THE STAIRS
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Remember those movies you love as a kid, then when you go to re-watch them you gag and can't BELIEVE you ever liked them? Well, I was worried that might happen, but this movie held up so well I wanted to cheer at the end (ok, I DID cheer...but not too loudly, wouldn't want to wake the neighbors...) We open with an introduction that should be shown in film schools everywhere since it so effectively sucks people into the story...You see it in that conversation quoted at the beginning of this review; Fool is getting a birthday Tarot card reading from his sister, and their conversation serves both as an introduction and a foreshadowing of what will happen throughout the rest of the film. We see right away how much Fools and his sister love each other in that brother-sister way, and how everyone seems to discount Fool's opinion because he's so young and naive. We see Fool's living situation, his loving but troubled family, and then we cut to a deranged and annoying man and woman and their tortured daughter. We soon learn that these people own the building form which Fool's family is soon to be evicted.
Don't look for gritty realism here, try to let your heart regress back to the age of twelve or so and just enjoy the ride, because there's lots of fun to be had if you do. The acting from the villains is over-the-top, and again, I think it's meant to be. In contrast, Fool and Alice, the deranged couple's daughter, give realistic, down-to-earth performances that balance out the film. The man and woman are like villains from a live-action Disney film, bumbling, purely evil, ridiculous... yet they kill, maim, and torture like villains from a... well, from a Wes Craven movie. Imagine that. Once Fool is in the house, the tension mounts as he discovers it truly IS a house of horrors: secret passageways, weapons, a vicious dog, and a horde of subhuman creatures in the basement and in the walls make for a foreboding atmosphere. How will he escape? Will he be able to convince Alice, the tortured daughter, to escape with him? Why are the cops completely unhelpful at every turn? Oh right...this is a Wes Craven movie.
There's not much to astound in the way of special effects for most of
the movie. A phony-looking severed hand, a bright white skeleton chained
in the basement, and a hokey animatronics dog are a few lowlights. But
the brutality of the man and woman make them frightening without the
need of special effects. And once the secret of the people under the
stairs and in the walls is revealed, it's sufficiently creepy. Plus the
violence near the end is better and one particular bloody corpse is
gruesomely effective. Everything is resolved in an almost fairy-tale
style in a climax that most reviewers seem to hate (judging form the
reviews I've read) but I think fits perfectly with the tone of the rest
of the movie. It's the way of all
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