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Marc Lougee has
quite a fascinating career in terms of special effects. The man has been
a part of some interesting films, and even worked on “Celebrity Death
Match” which is a rather ringing testament to the skill the man is
bringing to the table with this animated short. Now we have “The Pit and
the Pendulum,” a film that’s sure to be a cult classic if given enough
time and a respecting audience. And I say that because Lougee has the
one and only Ray Harryhausen in his corner as executive producer, the
strength of the work of Edgar Allen Poe, and oh yes, his film is utterly
fantastic.
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“The Pit and
the Pendulum” is one of the finest examples of gothic
claymation I’ve seen since “The Nightmare Before Christmas.”
If anything Lougee’s film proves that you can still tell
compelling stories with the advent of pure claymation, and
goodness, is he a storyteller worth watching for. Not to
mention it one of the finest art house animated films since
“Blood Tea and Red String.” Lougee’s film is told in the
grim setting of Poe’s classic horror story, expertly
condensed in a little under ten minutes. |
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We’re once again
thrown into the world of Poe’s story, where we follow an unnamed
prisoner of the Spanish Inquisition who is forced to endure the endless
tortures of his captors, and attempt to keep his sanity. What works
about this particular adaptation is the wonderfully truncated story that
keeps “The Pit and the Pendulum” on a steady and quick pacing that also
pairs with some rather fantastic claymation to boot. Simply put, this
movie deserves to be a hit among the festival circuit, and the talent
enlisted here makes it a must for any Poe fan worth their skin.
Marc Lougee's short animated film is everything I was expecting. It
doesn't just boast Harryhausen's moniker for mere publicity. This film
is wonderfully animated, beautifully condensed, and worth the watch for
any self respecting Poe fan.

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