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The rule of nature is that if it looks too good to be true, it probably
is. Mr. Cady has just been given one hell of a lesson on that rule in
“Population 436,” when he visits the small town of Rockwell Falls. The
town is basically Rockwellian, hence the name, and heavily resembles a
pastoral Utopia made of apple pie, and the American flag. MacLaren’s
“Population 436” is an interesting mix of “Wicker Man” meets “The
Lottery” with a healthy dose of “The Stepford Wives” thrown in for good
measure.
Steve Cady’s paradise
away from home never actually seems to be what he wants it to be. People
sing, and dance, and greet him, he feels comfortable even though he’s
being plagued with horrible nightmares. MacLaren’s film is pretty
atmospheric as Sisto puts his best foot forward and really drives the
performance home as this man who has no escape and either has to adjust
to his scenery, or die. Jeremy Sisto is a much underrated actor even
when playing Jesus Christ and it’s a shame he never really caught on.
In “Population 436,” the
reason to chance it is because of Sisto. Though his character is pretty
thinly drawn as a Census taker whose wife died, Sisto takes it home and
makes his character all the more appealing as he notices the slowly
escalating lunacy of this seemingly beautiful town of Rockwell Falls. In
the end, “Population 436” is basically just another adaptation of “The
Lottery” by Shirley Jackson, but it’s drawn out with slightly more
interest with odd methods of which the doctors in the town dispense of
people’s infection with “the fever.” MacLaren’s direction is very good
and he knows how to alleviate and mount the tension over and over to the
point where we feel a sense of urgency for Steve’s attempts to find a
way out of the town.
Even Sisto couldn’t keep
“Population 436” from being awfully unfocused. The writer seems to want
to push the film in all sorts of directions and can never keep itself in
one road long enough to feel coherent. The writer wants to push for a
mystic and or psychotic angle and he can never decide in the end. One
time the town is possibly a Stepfordian community, while the next it may
be the act of a god. What
was especially lazy about the film was that it was never clear what it
was trying to accomplish, especially in the final scenes. Was this town
actually protected by god, or was it all one self fulfilling prophecy?
Was there an actual fever? Were the dreams showing them what could
happen if they weren't careful, or was it just a warning?
The movie was hazy on those facts. It's a shame it didn't cover too much
ground on the themes here. And
we’re never given enough
of a sense of the demented security in the town, so instead it comes off
feeling more like “Deliverance” than “Wicker Man” where we immediately
catch on to the character Steve’s fate. “Population 436” is not as
morbid or creepy as it likes to think it is, thus it feels a lot like an
episode of a “Twilight Zone” revamp, extended and padded over an over.
Through that time we’re subjected to an awfully predictable climax, and
a lot of cheesy jump scares. Meanwhile, Fred Durst reminds us that his
career fizzled long ago with a performance that’s awfully phoned in and
never as fleshed out as it could be.
With much more
menace and extrapolation, this would have been excellent. But it seemed
to be working in half gears most of the time and comes off as unfocused
and hazy. However, as a fleeting dose of horror, “Population 436” works
because of Jeremy Sisto’s intensity, the atmosphere, and the creepy
story behind it.
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