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PREY FOR ROCK &
ROLL (Pray for these actresses careers)
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Believe it or not, I never knew an independent film could be so utterly cliché and unoriginal. Self-indulgent, vain, and goofy voice over narration from Gershon's main character, the life of a struggling rock band, all the members of the band whom have different personalities and their own under-developed sub-plots, slow-motion shots, all the dialogue about "making it or breaking it", whether they should quit, creativity splicing together, the parents urging the main characters to get in a real business and make some real money, the band members muttering such chestnuts as "this music drives me", "this is all I've ever been good at", all such derivative drivel, and the whole kit and caboodle you can think of with this type of movie. Yeesh! Gershon went on a tour for this? Something I've seen thousands of times? I knew what was happening when it was happening (come on, I knew what would happen to that rapist) and I just couldn't take the near two hour mark of this repetitive nonsensical drivel. What was the point of this rambling story? Hey, I'm a rock buff, and I love this music, and while it is based on the real life of a musician who wrote this movie, it doesn't mean it's interesting. There are hundreds of rock bands trying to making it big, so what makes this so special? Well, ultimately it's just a homosexually themed film disguised as a rock movie. There's nothing wrong with being homosexual, and I have nothing against homosexuals, but when you parade your movie like its a glimpse in to a struggling rock band when really it's heavily based on homosexuals, I tend to feel mis-leaded and manipulated, hell we hardly ever see these women perform at all up until the end, and for the record, yelling "Lick me" and twirling your tongue like Gene Simmons during a performance? Not cool at all and just played out. But Yes, Gina, I would love to lick you. And why should we care about this rock band? What makes them so interesting? Should we care just because they're on the screen? No, their music blows like a five dollar hooker, it's awful, especially the closing number which was just so badly written, and we're supposed to care, right. This was a movie about homosexuals and boy was it so misogynistic and inappropriately violent. What was the deal with the writer with all the unnecessary themes of rape and child molestation, there was domestic abuse galore, and just sadistic scenes that were so disturbing they were irritating because it’s all used as a plot device and not a statement. There really seems to be no point to the violence in the movie except to help the story, and it’s all so gratuitous. And was this an attempt to make a mock documentary drama, or just a drama? Some scenes seemed live and the director with his amateurish methods looked like he was wobbling the camera to make it look like a documentary, and then we'd head in to the filmed scenes, none of which made any sense at all. Through it all the characters are boring. I could have tolerated the faux docu-filming method had the characters been at all interesting, but dear god they're some of the most vapid people I've ever seen on-screen spouting some of the vapid dialogue I've ever heard. The band mates have these senseless sub-plots which I thought were going somewhere while watching, I kept thinking to myself "Oh, this is going to go somewhere", but there's zero result or resolution from their plots. Lori Petty has nothing to do in the movie and is featured only when interacting with other characters. Not that I'm complaining, but still if she's in the cast, give her screen time aside from that ridiculous subplot where she's teaching this moron music student in a room, and then there's cutie Shelly Cole who barely has a sub-plot in the movie except where she's interacting with her brother who is just a walking plot device, Drea DeMatteo's sub-plot is only insinuated. She's a druggie we assume but we only get two scenes of her snorting coke, she's an alcoholic, but there are really only three scenes of her drinking. Matteo's character is an alcoholic because, the writer and director make it obvious and--she has heavy messed up eyeliner, and dark circles drawn under her eyes all the time, and messed up hair. Really subtle. And Gershon has nothing to do in the movie, and she's the star! She has an insinuated sub-plot where it's insinuated that her family is dysfunctional and she may have been molested, meanwhile all of the homosexual characters here have at one point experienced sexual violence, which came off really sadistic. And the amateurish plot twists and basic character results are so utterly forced, melodramatic, and corny as hell. Give me a break! So, much like everything we're forced in to a dumb ending where the band performs, and by then I'd already registered out mentally.
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