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ROSA
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I wish there were more indie animated films in the independent film circuit, because there simply isn't enough out there for an animation geek like me. Case in point, "Rosa." While it may not be the most original movie ever made (it's mainly a pastiche of old science fiction tropes and steam punk), it sure is a dazzling and awe inspiring short that presents viewers with a snippet of a larger epic storyline that we'll surely be seeing sooner or later. The purpose for most short films these days is for Hollywood to take notice and use the shorts as a basis for more feature length ventures, and "Rosa" pretty much gets the job done. It's an introduction in to a new world while also serving as a wink to the producers who may want to transform this in to a feature length film. It's cryptic and often times bleak, director Jesús Orellana presents us with a post-apocalyptic wasteland that channels a period of time where humanity has all but become extinct, save for three humanoids.
Armed with stark computer generated animation and lush settings that mix beautiful steam punk motifs with set pieces seemingly ripped from "City of Lost Children," the trek of Rosa through this barren wasteland is engrossing. Especially once we realize she's being tracked, then all bets are off. The motion among the character models is fluid and seamless with incredible choreography that involve one on one combat, two on one combat, and a gunfight that is absolutely rousing to witness. While the entire film doesn't give much in the way of narrative, one of its true caveats, the surprise twist in the climax more than makes up for its short comings. I don't know how they can take a one and done short film and turn it in to a ninety minute science fiction flick, but for what it is, "Rosa" is a pleasing and incredibly beautiful science fiction prologue that will assuredly please fans looking for a fix of the genre.
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