|
Director William Maher's drama is not so much a story about Anna Sophia
Robb's character nor is it particularly about Charlize Theron, but a
story about Nick Stahl's protagonist James. Beaten down by life to the
point where he is perpetually inept and in a funk, James is a man who
gets through life as much as possible by soaking in the bile life hands
him with a casual shrug and enduring about as much from the people in
his life as possible. He is so absolutely immune to personal pain and
stress he is constantly mistaken as mentally disabled. He sadly has to
deal with Joleen and Tara, his sister and niece, both of whom are
consistently in the pits of life. Joleen is a reckless neglectful mom
who relies on James too much to get her out of trouble while Tara is her
petulant daughter forced to deal with her mom's indiscretions. But when
Joleen leaves one night, she never comes home and now James and Tara are
left
all alone.
|
While
"Sleepwalking" is primarily a melodrama first and foremost
and one that's much too soapy for drama addicts to take in
at times, the show here is the performances. Particularly
from Nick Stahl. As this man who has been broken in two, he
is capable of taking in so much pain he's numb to every
stressor that occurs around him. He can barely find
the time to discipline his angry niece when she talks down
to him and lectures him about the difference between driving
automatic and gear shift in a truck. |
|
 |
Stahl is a
consistently excellent actor and here he plays a sharp and complex
character who could very well lead his own movie were it not for
Robb and Theron headlining. His back story becomes all the more
harrowing with the look at his life on a farm when last resorts
bring them to the house of James and Joleen's father who, as played
by the late Dennis Hopper, is as cruel a human being as you can
imagine. Yes, "Sleepwalking" is not the masterpiece I hoped for, but
if you watch for Nick Stahl's subtle tortured portrayal and Robb's
strong play on this girl looking for a bright spot in a horrible
life, you may come out with at least a smile.
Unfortunately
William Maher's film is based on the pretense that if a movie is
about as dark and bleak as possible it automatically constitutes an
indie masterpiece. And that's far from the truth especially with
"Sleepwalking." For what it claims to be, there's not much life to
the drama and turmoil that ensues with these characters. Especially
considering they could be compelling and rich individuals who can
suck in an audience. Instead Charlize Theron hits the high notes of
melodrama as much as possible with her character's supporting
performance, and Anna Sophia Robb really doesn't provide a dimension
beyond Tara's youthful protagonist. Is she angry with life, or just
a spoiled brat? Meanwhile once the film finally enters in to the
second half it completely opts for a direction many audiences will
not expect, and Dennis Hopper's introduction, while welcomed, is
comical at best. Hopper was amazing with his talent for portraying
twisted characters, but the introduction of the matriarch Mr. Reedy
is at best forced conflict for the sake of conflict. Zac Stanford
relies on all forms of pressure points to gauge emotions from his
audience, and when all else fails he takes us in to a farm where we
meet Hopper who portrays an awful and abusive man. While this
perhaps was intended to gain insight as to why Joleen is such a love
starved wreck, and why James is such a weak shell of a man, the
segments with Hopper border on manipulation and pat plot device
implementation. When in doubt, enlist an abusive character. Not much
is made of Hopper's character by the time the film closes, and by
then the audience may be too anxious to move on to another movie to
care where the situation ended up.
William Maher's melodrama is much too grim and bleak for even the most
cynical viewer to enjoy with a constant reliance on hackneyed plot
devices and the cheesy fallback of an abusive villain played by the late
great Dennis Hopper. However, if you want to see the stellar Nick Stahl
portray a character deserving of his own character study and salvage
this exercise in human misery, "Sleepwalking" is worth a watch.
|