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We finally
get the big payoff we've waited for since the end of the first film. The
stalk, slash, and kill at the end of this movie almost make up for the
torture we had to endure sitting through the rest of it. Almost.
Jesus Christ but the director of this movie was a hack. And I mean that.
He was an editor hired to splice footage from the original movie
together with new footage to create a new story, so he agreed, but he
even admits in interviews now that he thought the original movie was too
violent and that he'd just had a daughter, so he didn't want this movie
to show images of a killer Santa Claus. Stop me if I'm wrong here, but
maybe you shouldn't take your infant daughter to see horror movies if
the idea bothers you so badly. I mean seriously, this is a horror movie
franchise based upon the idea of a killer Santa Claus, so if that kind
of imagery bothers you so badly, then don't make the movie. By no means
should you agree to take on the project and then subvert everything so
you could water it down so the horror wouldn't bother you as much (and
there's plenty of killer Santa footage in this movie, so I don't know
what that guy was blathering on about because he certainly didn't cut
the idea of a killer Santa out of the movie or anything). What he did
was splice together images from a good movie and add some pathetic, bad
footage to make a pathetic, bad movie. Way to go. First of all, this
movie has painfully slow scenes with slow, atonal music that numbs the
mind before you even get past the opening sequence.
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This doesn't bode well for the
quality of the rest of the movie (and that horrid music
continues throughout the film...it sounds like someone
dropped a xylophone down a flight of stairs...how someone
didn't notice and put a stop to this is beyond me). Then
we're bombarded with about an hour of footage from the
original movie, most of which goes on far too long and is
patently ridiculous since ostensibly, we're hearing Billy's
younger brother Ricky tell us the story of how his brother
became a killer, so most of the footage is stuff he didn't
see (or stuff that happened when he was a baby) and it's
just silly to include that footage during his narrative.
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The movie doesn't fare any better once it
starts showing original footage, either. I'm sorry, but I need to take
issue with the way this director advertises himself as an editor. He
sure as hell didn't edit any of these boring, overlong sequences before
cramming them together to make a movie. Everything goes on to long, from
the awkward, choppy sex scenes to the awkward, choppy scenes of dialogue
that are supposed to constitute "character development." And when the
movie isn't being awkward and boring, it's being ridiculous. Here,
instead of the kind, childlike Ricky we met in the first movie, we get a
mean, sneering Ricky who can lift people into the air and throw them
twenty feet and survive five gunshots with enough oomph left in him to
scream and swing an axe around. Good, I'm glad to know that Ricky is
Hercules now. Nice to know he's moving up in the world. Is this the
director's way of trying to make the movie more "comedic"? I suppose you
could interpret this as a joke...in some cultures...on the planet
Klipton. But here, on earth, we usually like things to be actually FUNNY
before we refer to them as "comedy." Here we get a bunch of horror shots
that are campy, but not funny and really not even fun.
The movie is stupid at every turn when it could have been interesting or
engaging, and it shows a patent lack of understanding of, well, just
about everything. Newsflash filmmakers, nuns who retire don't usually
sit around their houses wearing full uniform and wimple. People who
witness horrible vehicular manslaughter don't usually say "Thank you"
and wander off, because the families of the dead people typically miss
them and wonder where they are. If a patient has killed all of his
previous psychiatrists, the authorities probably wouldn't send a current
psychologist to interview the patient alone, and it's not that easy to
waltz out of a high security mental hospital after killing a
psychologist and all the guards. No one will ever accuse these
filmmakers of striving for realism.
In case you can't tell, I wasn't impressed by this cheap, shoddy follow
up to one of my favorite horror flicks. Basically, this movie takes
everything that made the first movie good and then shits all over it and
calls it a movie. I knew coming into this movie that it wasn't going to
be great, but I wanted to see the payoff I'd been promised since the
ending of the original, and I was hoping the movie would at least be
watchable. It's not. Fast forward to the last twenty minutes and save
your retinas the torture of having to endure this garbage.
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