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Watching
"Something, Something, Something Darkside" is similar watching another
episode of "Family Guy." It's boring, tedious and so intent on being
funny it feels as if it has to point out almost every single joke it
posits. "Ahaha, the giant chicken is Boba Fett!" says Peter. Get it?
Because the chicken fights with Peter in these long drawn out unfunny
fight scenes meant to kill time and hide the fact the show is short on
actual story. "I'd give my right hand for this day to end." Get it?
Because Chris is Luke and Luke gets his right hand cut off by Darth.
When Luke is hanging from Cloud City, Leia asks Luke to raise his right
hand. Get it? Because Chris is Luke and Luke gets his right hand cut off
by Darth. "Turn the Ship Around" is played when Leia asks Lando
Calrissian to turn the ship around to save Luke. Get it? Because of the
disco song. Does any of the target audience even know what Disco music
is? They feel like they actually have to point out these jokes to us
because A. the writers obviously feel the audience is too stupid to
get it, and B. they're drawing attention to the fact that these jokes
are extremely apparent to the point where sirens nearly go off at the
end of their deliveries blaring: "Laugh Here! Laugh Here!" They also feel
they have to constantly compare themselves to "Robot Chicken" as
they did in "Blue Harvest."
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That
special wasn't so excruciating, but it was otherwise marred
by the fact that someone during production obviously advised
the writers, ""Robot Chicken" did it first so at the end of
the special we have to point it out too or they'll accuse us
of ripping it off," and in spite of the fans ability to
forgive and forget, it was blatant if you saw the "Robot
Chicken" Star Wars special. Because it was better and much
funnier than the "Family Guy" special "Blue Harvest." One
thing this special does have going for it is that it points
out some glaring inconsistencies in the film declaring that
though the "Family Guy" clan are fans of the trilogy, they
know the movies are pretty cheesy. |
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For example: why does Yoda tell Obi-Wan there's
another hope for the galaxy if Obi-Wan was there when Luke and Leia was
split up? Why didn't Yoda go with Luke? And, as Brian points out, why is
Lando wearing Han's clothes at the end of the movie? There's also a
pretty funny moment where Leia tells Han "I Love You," and Han replies
"Fuck off." And I have to commend them for employing the voice work of
H. John Benjamin who I know best as Coach McGuirk from "Home Movies."
Still though, it's "Family Guy" and they're not above letting the
audiences intelligence be insulted by splashing eighties references
non-stop on the screen (Get it? The ending is a riff on "Back to the
Future 2"! Familiarity is funny!) and tapping on the latest fads to
allow for a awareness until a few years from now we'll have to explain
to audiences what the joke was all about in the first place (Get it?
Because "American Idol" is popular! Popularity is funny!).
And of course there's the obvious fact that
Meg has zero lines in these specials because has there ever been a point
to her inclusion in the show at all. You can also feel the writers
kicking themselves for not turning Cleveland in to Lando as Mort is
Lando in an unusual and weird little twist and they do nothing with his
character. He greets them and literally stands around doing absolutely
nothing when there could have been some interesting riffing on the fact
he's Jewish and not black. As an ex-"Family Guy" fan (a title I wield
proudly) it's so painful to watch so much potential for material be
pissed away by short-sighted writers who couldn't spend time remembering
past storylines... kind of akin to Lucas and his vision for "Star Wars."
Get it? Because the prequels sucked!
I know, I know: "If you don't like Family Guy, why did
you even watch it?" First I hate the show, and secondly,
I'm a huge "Star Wars" fan and I love almost anything that riffs on the
trilogy, I just like to have it done with a sense of intelligence and
wit and not painfully obvious jokes so on the nose we're treated like
Pavlov's dog expected to laugh every time McFarlane rings a bell.
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