There’s really never an easy way to review an independent film and
give it a negative review. I understand the time that goes in to
making movies, but we really look to help the filmmaker and offer
constructive criticism as opposed to just outright bashing.
“Splitting Hairs 2.0” has a good idea of what it wants to be, but
sadly can never rise to the occasion to be better than it appears on
screen. Director Oscar Sanders looks to create a crime thriller and
provides some enthusiastic direction, but the actors never want to
oblige the story by going along with their characters. The editing
covers up their difficulty delivering lines, but that leaves the
performances feeling painfully stilted and often confusing, while
most of the audio for the film is almost incoherent. As for Sanders
direction, there were moments where you could see him struggling
with the camera, and in one moment pans down to a prop much too late
prompting an actor to look right in to the camera waiting for his
cue.
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then for some reason Sanders enlists slow motion for a
moment that doesn’t need it and then focuses in on the
severed body part for almost five minutes while the
characters continue their dialogue off screen.
There are
some moments that strive for legitimate professionalism by a
narrator explaining the guidelines for investigating a crime
scene, but we’re once again never told why we need to know
this stuff. There’s also never really an explanation as to
why what we’re seeing is supposed to make sense.
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Why
were the officers so banal about a severed finger in their
apartment? Why did the killer leave the note at the foot of the
steps assuming the cops would find it? Why did the killer stand
outside the apartment waiting to see if they’d find the finger? And
how did he actually get in to the apartment? More so, why don’t the
officers call for back up instead of chasing the suspect and then
suddenly stop chasing him when they find the note? I never
understood it. Sanders seems to be working on a very small budget,
but it never really justifies the plot holes or confusing plot
elements. “Splitting Hairs 2.0” looks for a tone between gritty
crime thriller, and a guerilla indie film and it never finds that
middle ground, all the while making references to the first short
film that I never really quite caught up with. The actors never
really convinced me they were officers, and I found much of the
scenarios frankly hard to swallow. It’s a good try and strong
effort, but with better editing, better actors, and a cohesive
story, it could be much more watchable.
It has a lot of
promise to be something better, but with tighter production, and a
better script, it could stand a drastic remake. “Splitting Hairs 2.0” is
more of a learning experience and experiment than a movie, and I hope
Sanders continues trying at filmmaking.

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