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There’s not much to say about “Square Pegs” other than it’s probably one
of the most surreal, and yet most powerful short films I’ve ever seen.
Not only does the imagery spark a head trip of pure acidic proportions,
but it’s such a fantastic statement about faith, and the ongoing war of
good and evil and the religious belief of the human soul being wrestled
with even after we die. Though I’m not sure I agree with the overall
statement Ben Hicks makes about the atheists role in the “war” that
ensues for our state of being after our death, “Square Pegs” is
nonetheless a powerful little film that makes the best of its low
resources. Arguing on the way to an event, Alison and her family howl at
each other in their car and get into a horrible accident.
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They’re suddenly sitting in a booth in an odd restaurant and
marvel at the oddities. Customers hover from table to table,
they’re watched by the chef in the darkness, and they’re
served a dish that’s grotesque and yet oddly alluring.
“Square Pegs” is a Lynchian and demented fantasy that is
never quite upfront about its purpose, but still ends up a
wonderful production with great performances.
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Brianna Weaver is great as the observer watching her family fall to
pieces as their stay at the restaurant wears on them, all the while she
reads the age old story that has sparked said conflict, and really must
comprehend what is occurring. Hicks’ direction is basically above par to
what is obviously a film reliant on outside producers and a down to the
bone budget, but “Square Pegs” is a great dark art house film that uses
every bit of its production with skill. The climax while pretty
discomforting, is played very well and Hicks has a pure knack for the
demented and philosophical.
Hicks creates a wonderfully morbid picture of the world after death and
what it may entail. With great production qualities and strong
performances, "Square Pegs" is a great depiction of the battle of good
and evil.

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