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Most of these short films from established or aspiring directors aren't
so much about delivering a story in a short form, but about presenting
an example to big studios of what they can do and what they can
accomplish on-screen if ever given the chance at a bigger budget. Short
films can be a display for studio heads on how they can implement their
stars and effects on a moderate budget, and it works more often than
not. Christian Swegal's short science fiction thriller is basically
"Manchurian Candidate" with a bit of "Bourne Identity" thrown in for
good measure along with a touch of Phillip K. Dick in which the reality
we see may not be an actual world in which our character occupies, and
vice versa. Our main character Henry awakens at a local base to be
interrogated by a doctor and visited by a mysterious stranger, both of
whom are attempting to bring Henry his memories back and discover
something about him that not even he knows. Beyond images that fade in
and out of his consciousness about being with an absolutely beautiful
and angelic woman, Henry is confused as to how he ended up in this
position.
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As the
story progresses in to a more absolute and solid picture,
Swegal pieces the puzzle together and the audience in
gradually allowed a look at the past and present of Henry
who, himself, is anxious to learn the entire truth. The
mysterious stranger thereby orders him to assassinate a
local political official or he may never see this woman ever
again. |
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As we venture in to Henry's desperate
grasp for this woman's life while attempting to pull off this heinous
crime, Henry is confronted with the truth of his life. Painted in vivid
and often dream-like shades of gray and green, Swegal keeps the entirety
of "Stasis" feeling like one complete dream where the dreams may be
real, and the reality may just be only a dream. Perhaps we're viewing
the delusions of a war broken soldier who can't stop thinking about his
trauma, or perhaps we're watching a man stuck in an eternal grasp with a
life with he will never have. With sharp performances from Ernie Hudson
and Beau Bridges along with a tumultuous performance from Reshad Strik,
"Stasis" is a film left to the audiences interpretation in the end, and
Swegal leaves the ending nothing but an endless loop of hopes, wishes,
and nightmares.
In spite of being
something of a knock off of "Manchurian Candidate," Christian Swegal's
science fiction thriller is an absolute visual feast with striking
special effects, a mind bending premise, and top notch performances from
its respective cast.
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