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Angel Connell
short "Stocking Stuffers" comes off like a Tarantino Wet Dream, one that
focuses on the legs of a seductive woman and how convenient they can be
in society.
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One is used
as a tool to lure a man while the next instance they can be
used to sell items on television and while the message isn't
completely clear, "Stocking Stuffers" gets an A for effort.
Connell's is almost too cryptic which is thankfully a good
thing at times since this allows the audience to decrypt
what he's trying to convey through his two part analysis of
the woman and their bodily assets. There's also the fact
that as obtuse as the movie tends to be, it's an
entertaining eight minutes with performances by the cast
that come off as eccentric and just damn goofy.
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I'm
surprised Eric Sheiner was able to keep a straight face most of the
time in moments that involved physical comedy with (yes) legs, while
Christy Scott Cashman is smoky and sexy as The Woman who ends up
signifying a two fold statement.
To be honest
I saw "Stocking Stuffers” three times, and every time the point of
the film just didn't get across. Sure I read the press kit and read
other websites reviews but in the end I felt none of the overt
message nor did I see where the point started or ended. Connell's
short film comes off as an ad campaign rather than a two part short
film and really focuses on the parts of the human body that act as
instruments of seduction. Uh--they're the legs, hence the title
"Stocking Stuffers." While the whole premise is understandable I
never understood execution upon which director Connell hoped to get
across on how many times we can never be sure if its the material
possessions that seduce us and not the person wearing the
possessions. Take actor Eric Sheiner's role as The Man, someone who
seduces his girl by caressing her legs which is then cut to a
commercial where suddenly the woman is the seducer now in power
thanks to her stockings. While this is all well and good in theory,
the general purpose of the message comes off as vague and arbitrary,
so any artistic prowess Connell presents is lost on the viewer.
While Director Connell's film mamages to entertain and successfully
express some of his symbolism, it took three tries until I was able to
understand what the point of the film was, if it had a coherent point at
all.
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