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SUPERBAD
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It’s your basic teen comedy premise but much wittier in the end, as Golberg and Rogen’s screenplay is just hysterical from start to finish. One of the reasons I enjoy Rogen’s writing is the same reason I enjoy partner Apatow’s. They know how to build characters while giving us laugh-out-loud hysterics in the process. Under the seams, “Superbad” has two very complicated and frustrated characters that are basically inseparable and have to face that they’ll very likely drift apart as the years pass. Jonah Hill is an underrated comedic talent who just continues to prove his worth as an actor in Hollywood and is due for a movie of his own. As Seth he’s the slacker who is also extremely focused on his goals of being some drunken girl’s mistake and manages to allude to his anger at friend Evan’s departure throughout the film. Though his character is difficult, Rogen and Goldberg reveal shades of sadness within the constant complaints. Michael Cera is great with deadpan comedy as he’s the typical humble every guy who delivers one liners with a sense of passing that makes him all the funnier. He has a great sense of sympathy as Evan and really works wonderfully off of Hill. Equally, Seth Rogen and Bill Hader are great as the incompetent town cops Slater and Michaels, along with Christopher Mintz-Plasse as Vogel, the geeky third wheel who manages to have his own night of hilarity with the tag McLovin’ as his alias. “Superbad” is another of the great coming of age buddy comedies that is never too overbearing with raunch or toilet humor and thankfully plays to the talents of its cast.
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