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THE
TOWN
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Can Claire present Doug with a way out? Or is he doomed to a perpetual life of crime based on pipe dreams that are destined to destroy the people around him? "The Town" is an examination not so much about leaving the life of crime behind, but more just getting out of crime. How do you escape something you've known since your teens? How do you re-adjust to a life that doesn't incorporate robbing local banks and murder? More importantly, how do you leave behind a life that you're just beginning to understand? Affleck's second directorial outing is yet another film based on hard decisions and tough truths, and one that rides on a power house cast of amazing performers, all of whom spend the run time of the film playing cat and mouse, attempting to outwit one another. Jon Hamm is especially excellent as FBI Agent Frawley who makes Doug's case a special interest in his life, especially when Doug and his team manage to out run and out match the authorities at every turn, while Jeremy Renner is the stand out as Coughlin, the psychotic right hand man to Doug whose entire life rides on his next job and little else. Ben Affleck directs with such a passion and raw fervor that every moment of "The Town" feels fragile and breakneck, and with more and more gun fights spreading throughout the transformation of the narrative in to a tense fight for innocence, Affleck makes it apparent that Doug may never escape his life. With every chance to escape, a new opportunity for danger presents itself and one final job signals a possible release, and one that will cost Doug. "The Town" is yet another film of Affleck's repertoire as his re-invention as a director that didn't garner nearly enough acclaim as it should have, but as a crime thriller it's on par with "Heat" as one of the finest and most adult. And in a year filled with juvenile junk like "Takers," it's nice to have a crime thriller that's complex, morally complicated, and just for the mature audiences.
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