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Tiny Juggernaut's
special effects are pretty good when compared to other indie productions
and though it's all mostly takes on the Transformers, the robot menaces
are pretty sleek and cool to watch as they fuck shit up in civilization.
I'm still not sure why we need an attack from a cell phone, but Tiny
Juggernaut keeps the special effects standard and old school quite
often. And who ever creates the one sheets over at The Asylum, I commend
them on their artistic ability. If anything The Asylum is great for
providing great cover art for their productions. I also enjoyed some of
what director Wheeler brings to the screen. There's even a really
ominous sequence where our hero and heroine realize that the signal
these robots have sent out just didn't get intercepted and comets are
falling to the sky with the alien menace in tow. It's a great scene that
is thankfully sold by star Shane Van Dyke's shocked reaction.
I really liked the first "Transmorphers" from The Asylum. I mean in
spite of being a total rip off of The Terminator, Robotech, and the
Transformers, it actually excelled at being something more than a
carbon copy. That was thanks to the ace direction from Leigh Scott,
one of the Asylum's heavy hitters. Now comes "Fall of Man," a
prequel to the first movie now under the direction of Scott Wheeler
another Asylum heavy hitter whose work has been mostly relegated to
special effects with varied success over the years. This installment
sets down in modern day America where important people are being
assassinated by an unknown force. Sadly the force that brings this
movie down to the ground is its sheer ignorance of what
entertainment is supposed to be.
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I was bored and "Transmorphers
2" takes so much time to build up to the robot attacks that
you'll be left wondering why a movie with such a cool cover
could ultimately leave you in the dust waiting for something
to happen. For nearly ninety minutes I wondered why these
robots are camouflaging as standard electronics, why they
were hiding if they had such power, and how long were they
on Earth. Most importantly why start the attacks now when
they had perfect chances years before. But then "Transmorphers
2" doesn't ask for logic, it instead asks that its audience
remain silent and revel in the robots that--well--do much of
nothing, really. |
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There's an instance where Wheeler could have taken advantage by
featuring a cell phone turning in to an arachnid robot, but the
battle is so brief and abrupt all fun is sucked out before we could
brace ourselves. Wheeler doesn't have the same knack for visual
style as the original director Leigh Scott did and the writers
certainly aren't keen to providing a steady even pace. Sometimes the
movie flows so quickly that it's hard to keep up, while other times
it's as dull as day old bread with more questions posed toward us
than answers. Seriously, why not camouflage as a missile rather than
a satellite dish? And what purpose would it have served to kill a
senile old lady in the first place? And why the sudden appearance of
Autobots as villains? It's just disappointing after watching the
first movie that had such a better atmosphere of doom than this one
did.
There are moments when "Transmorphers
2" rises to the occasion and injects a sense of urgency to the
proceedings, but it takes too long for anything to happen. It's one long
stretch of boring with a few hits of excitement, but the cons
drastically affect the pros.
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