|
Let’s get real here people, up until the last year, not a single person
beyond black make up and death metal fandom knew who or what the
Twilight series was. I mean at least with Harry Potter I had some sort
of preamble leading in to viewing the first four movies, but “Twilight”
snuck out nowhere in the cinema scene and was destined to be a hit in
spite of the slight obscurity. Just gazing down at a large picture of
emo females with black lipstick, black digital cameras, and their own
fan club I knew that this cliché, clunky mess of a story would bring in
the big bucks. Because regardless of how passionate and antipathetic I
or other critics feel, the movie will break the box office because
author Stephanie Meyer knows her audience better than we know ourselves,
don’t they? Whether or not the interest in another preteen melodrama is
a good thing but it’s another cash machine in the works takes all the
beats from fare like “Buffy,” to Anne Rice and yes even “Dark Shadows”
to guide us along the stepping stones of a film that’s barely even
romantic.
|
Hardwicke’s direction is strong,
but the movie is so much based on teenage woes and angst
rather than giving us the vampire action that non-fans were
promised by the trailers.
I was bored
out of my brain and not even the appeal of Kristen Stewart
could sway me the 90210 Degrassi could keep me from a movie
that felt only partly developed with padding in the purpose
of continuing the abundant two hour mark and nothing more.
Even at a hefty two hours, “Twilight” is a paradox with
promised violence allowed to prevent an R and even contains
horrible likes from paled Mascara vampires like “I felt the
urge to protect you.” |
|
 |
And I was
resisting the urge to step out of the theater filled with squeaky voices
of young girls fawning over the actors and impending murder mystery
that, like the “Harry Potter” books try in vain to convince us that it’s
not just little girl and a pure wet dream for anyone anxious to invest
some time in this tedious demonstration on what’s wrong with vampire
movies. There’s not a single bit of characterization here beyond what
the human props were supposed to do on screen, and the rest is left to
gloom and doom packs of vampires while our Romeo and Juliet figure out
how to go a relationship in a world that wouldn’t expect. Yawn. Everyone
wants to be hip and self-aware like “Buffy” but poetic and smug like
Anne Rice. The end product is this, a movie that bears a very, very
passionate fan base that will rock this neo-vampire movement yet again
pump money in to theatrical economy all thanks to Rice. And it’s also a
metaphor for virginity and sex, yippee! Thank you Ms Rice turning our
monsters of the night in to Daytime television dramas.
I
was honestly looking forward to slightly conceiving the popularity and
fandom behind the books but the movie won’t help it come along as a pop
culture fixture. Bland dialogue, boring characters and an attempted
tension will come and go down in the lines of exposable film crap like
“Blood & Chocolate.” Yeah now, I’ll be sure to pass on the sequel.
|