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It’s really tough
to hate a movie that’s so filled with adorable dogs, and surely enough
the stunt dog that plays Underdog is adorable. For all intents and
purposes, the dog presents much more personality than the CGI rendering
forces on it, and it’s a shame we never saw more it. Meanwhile, you have
to appreciate how the writers pretty much integrate almost all of the
elements of the original cartoon, including naming Underdog "Shoeshine"
as his secret identity, and having his love interest be Polly. Not to
mention whenever Underdog is in costume, he speaks in rhymes, and his
costume is essentially accurate to the original cartoon.
Sadly, Disney’s latest effort to cash in on childhood memories and
classic cartoons is an ill-conceived and often irritating bout of
Children’s film far, and it’s not a trend that seems to be ending any
time soon. Take a mediocre and boring cartoon and turn it into a live
action movie, and you have what’s the basis for “Underdog,” a kids
action movie that really just takes everything I hate about modern kid
films. And, to boot, it’s also yet another superhero movie with a boring
origin. Sure, it’s a kids movie, so you can argue that I’m not the
target audience, but kids can’t possibly have such bad taste to find
enjoyment out of “Underdog.” It’s pretty much every talking dog movie in
the last fifteen years featuring colorful characters, a humble young
kid, and poor CGI that renders the animal’s face with half hearted
results. When Underdog or any other dog decides to talk, their eyes well
up to the size of crystal balls, their face curls, and I shiver a little
more every time. Because as obvious the intention is to make the dog’s
speech seem natural, he instead just looks outright creepy. Meanwhile,
the film really barely has much of a plot at all.
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What little we’re told is pushed into the background in
favor of a lot of puns, gags, and physical humor surrounding
doggy habits, and the old human-dog interplay that I’ve seen
played with much better effect in other films. I still
really can’t understand the continued fascination and
amusement with talking dogs, because it reeks of pure
laziness in the end, and “Underdog” is rather lazy. There’s
the crude formula of Underdog introduced, underdog meeting
his master, underdog becoming a superhero, and underdog
fighting evil. |
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And in spite of the self-aware writing that pays clear notice to the
lunacy many times, “Underdog” never embraces the fact that the entire
story of the character was really just a spoof of Superman. Taken with a
strict tongue in cheek, the movie wouldn’t have been so bad, but there’s
so much convoluted story, and plodding humor that there’s barely
anything to really enjoy. Besides that, the writers ask us to care for
new characters when the appeal is actually the talking dogs. Instead
we’re forced to delve into the bickering and back story of a father and
son who happen upon Underdog, and there’s also a very under-developed
romantic sub-plot between Underdog’s owner, and his friend that’s built
up and pretty much leads to nothing but filler. There’s also the
villainous Barsinister, played with obvious boredom Peter Dinklage, who
is supposedly a mad genius who creates probably one of the dumbest grand
master plans possible. Jason Lee and Amy Adams voice the two primary
characters Underdog and Polly, while James Belushi is pretty much just a
prop to move the story along. At eighty four minutes, “Underdog”
gracefully exits when it’s supposed to, but all the potential charm is
wasted for a paper thin plot, and sub-par CGI effects that could have
really kicked up the entertainment.
Sure, it's not the worst movie ever made, especially in a world that
sports crap like "Meet the Spartans," but for a movie it's too corny,
and muddled in cheesy writing and sub-par CGI to really endure watching.
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