| Like
the bands he worked with, "The White Book" is a
hip memoir that is aware of how utterly cool it
is and I can't begrudge it for that because it's
a damn fine book. What Mansfield writes about in
rather engrossing recollection is his sheer
genius in helping to not only shape the frantic
legacy that was the Beatles on the radio, but
also the radio business as a whole. He drops
names like Joan Baez and Brian Epstein all the
while explaining his tricks for selling The
Beatles, and trying to please other artists on
Capitol Records as the fab four dominated the
radio stations.
The promotional
business is a cut throat industry, and Ken
Mansfield perfectly exemplifies the hassles, the
dangers, and the perks with pictures of his
copies of Revolver and Fool on a Hill signed by
the foursome. But most of all, this book will
just be a fantastic read for anyone who loves
music and loves The Beatles. Mansfield observes
the band's power through his eyes as a young man
who just did business, and wanted to promote the
unstoppable Beatles all at the same time.
Mansfield, for
someone who worked with Steve Miller and Judy
Garland, is never pretentious. He's never
condescending and never gloats about his
successes and his contacts with major music
stars of that era. Simply, this is a guide book
of a man who helped to shape the music industry
and tells how he took this business under his
control and befriended the Beatles all at the
same time.
I wish I could
find fault in the novel, but Mansfield's writing
is just so alive and vivid that once I began
digging into his memoirs, I had a very difficult
time pulling myself away from it. I wanted more
and Mansfield has so much to tell and so much to
give away that "The White Book" is a collector's
item with actual substance to it. As a Beatles
fan I loved it. As a music fan, I loved it. As
someone who appreciates apparent genius... hell,
I loved it from top to bottom.
-
Felix Vasquez Jr.
11/12/07 |