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Everything about this movie is good. Right down to the smallest detail,
this is a film that just makes sense to me and plays to everything that
I love in film. It's going to be a gushing review, but it is
well-deserved for such a well-crafted amazing film.
To begin though, a little background. I own every movie that Darren
Aronofsky has made. I own every soundtrack that Clint Mansell has ever
created. I am an unabashed fan of both men and was rooting for this
movie since the moment I heard about it. The Fountain, Aronofsky's
previous film, stands tall above all others as my favorite movie of all
time. It's a beautiful film. So I was championing this movie from day
one.
Throw in man's man actor Mickey Rourke, one that I have appreciated in
his films for the most part (does anyone really like Harley Davidson and
the Marlboro Man?) and you've got yourself the makings of a great movie.
And that's what this is. This is a film for guys, gals, everybody. It's
heartbreakingly honest and sad and poignant and it's about wrestling.
A movie more honest and real about an aged fighter could not
be found anywhere else. It is the epitome of the new film
genre where the aging warrior returns for one last hurrah.
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So, the film itself is something of a miracle how much I
loved it even being in the mindset I was. But Rourke was
outstanding. He was funny, charming, haunting, and above all
else, real. He was portraying someone as if they were a real
human being and not some role that he got. He was playing a
man who is near the end of his rope, and you couldn't help
but root for him.
There are certain things that stick in my head from this movie, not just
in Rourke's performance, which rightfully deserved that Golden Globe he
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The camera work is downright nauseating at times, but it's played
up for the sake of humanity. We're following a man who used to spend his
time walking down the catwalk to his wrestling match, and just like the
cameras that would follow him to the mats, we follow his back. We follow
him on his trip to his landlord and his trip to his job at the
supermarket, and in one tremendous scene, to the deli counter where his
life has to begin again.
On the flipside of him are the women in the movie, Marisa Tomei and Evan
Rachel Wood. Tomei is perfect in this, playing the female version of
Rourke's character in the sense that she is an aging sex symbol that
can't be a sex symbol any longer, a stripper no one but Rourke pays
attention to. And Wood, as the estranged daughter, is absolutely the
weakest part of the film but by this film's standards, it's still a good
place to be. She is a daughter scorned and a daughter trying to
reconnect, and you feel it.
That's the thing about this movie. You feel it. His heartbreak, his pain
in the matches, his hearing aid (perfectly complemented by the low
squeal you hear when he takes it out), the cold winds in the area and
all the pain in his life. You feel it all.
I cannot recommend this film enough. I cannot. The theme is fantastic
and as haunting as Rourke's performance, and I have to tell you that I
am planning to see it again. It's just amazing.
As opposed to the standard slick words to get you to see it, I'm just
going to say it: see this film. Be amazed at what a perfect piece of
film this is and be proud to have seen it, experienced it, and honestly,
learn something about wrestling and you just might find a new reason to
enjoy that too. That's the beauty of this film, it is so perfect and
well worth the time. It isn't the same overblown crap people generally
see in theaters, it's a film and it's perfect filmmaking.
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