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YOU DON'T MESS
WITH THE ZOHAN
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The acting and storyline take a back seat to the sometimes arbitrary comedy which almost always delivered. They constantly poked fun at the Arab culture and, as a Syrian-American, I may have appreciated this more than others might. Throughout the movie there were three recurring themes that I enjoyed the most: The Disco: I loved the dance scenes that were peppered through the entire film. Whenever the Zohan had something to celebrate he would break out in a 70’s style disco dance. It didn’t matter where he was, on a helicopter, at a hacky sack tournament, or in the middle of the street, it just happened and every time it was priceless. The Fights: The sheer ridiculousness of the fight scenes and the total indestructibility of the Zohan are comic gold. The audience doesn’t have to waste any time wondering if the Zohan will win his conflicts. It’s guaranteed. This allows the viewers to appreciate the gags that are saturated in all the battles/fights. The Girls: Through most of the movie the Zohan styles the hair of older, wrinkly women. Afterwards, he deems it polite to ‘sex them up.’ These are not the women I am referring to. The girls that add to the watchability of this movie are the models in the beginning. They border on perfection and were really easy on the eyes. Also, Emmanuelle Chriqui (who plays the role of Dalia, the Zohan’s love interest) lights up every scene she graces. She alone could be a legitimate reason to watch You Don’t Mess With The Zohan.
Michael Buffer makes a sustained appearance as a rich and greedy landlord which I didn’t like. He didn’t necessarily do a bad job, it was just that I was so used to him bellowing ‘Let’s Get Ready to Rumble!’ at Boxing matches and UFC tournaments, that I had a difficult time watching him do anything else. Also, Adam Sandler’s Israeli accent leaves much to be desired. This may be ignorance on my part, but it seemed as if his accent was more French than Middle-Eastern.
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