2008
Rated: PG-13 for violence, sexual themes, and adult language.
Genre: Action Comedy
Directed By: Dennis Dugan
Running Time: 1:53
Review by: Chad Jarrah
Review Date: 12/07/08
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YOU DON'T MESS WITH THE ZOHAN

 

When I saw previews for You Don’t Mess With The Zohan, I remember two scenes that stuck out the most to me. The first, I liked. It was Adam Sandler’s (who played the main character Zohan) random dance that was interspersed throughout the trailer. It reminded me of John Travolta’s ‘Stayin Alive’ finger point dance from Saturday Night Fever. The difference was that Adam Sandler was doing the dancing so it was funny. The second thing I remembered was the Zohan kicking some yuppie guy in the face repeatedly and saying the phrase: ‘Smell it…smell it…smell it…now take it.” I hated that part and refused to see the movie in theaters because of it. As You Don’t Mess With The Zohan came on the Dish Network at the same time that I had the flu and was bored beyond reason, I decided to give Zohan another chance, cheesy lines aside.

The comedy follows Zohan Dvir, an Israeli counter-terrorist with a dream. Although he is well-suited for the job, the Zohan longs to become a hair stylist. He longs, in his words, to make people ‘silky-smooth.’ He eventually follows his dream to New York City leaving the counter-terrorism world behind him. There he comes across confrontation, makes friends and finds love. Written by three comic giants, Adam Sandler, Robert Smigel, and Judd Apatow, the film makes no attempts to hide its humorous appeal.  

The acting and storyline take a back seat to the sometimes arbitrary comedy which almost always delivered. They constantly poked fun at the Arab culture and, as a Syrian-American, I may have appreciated this more than others might.

Throughout the movie there were three recurring themes that I enjoyed the most:

The Disco: I loved the dance scenes that were peppered through the entire film. Whenever the Zohan had something to celebrate he would break out in a 70’s style disco dance. It didn’t matter where he was, on a helicopter, at a hacky sack tournament, or in the middle of the street, it just happened and every time it was priceless.

The Fights: The sheer ridiculousness of the fight scenes and the total indestructibility of the Zohan are comic gold. The audience doesn’t have to waste any time wondering if the Zohan will win his conflicts. It’s guaranteed. This allows the viewers to appreciate the gags that are saturated in all the battles/fights.

The Girls: Through most of the movie the Zohan styles the hair of older, wrinkly women. Afterwards, he deems it polite to ‘sex them up.’ These are not the women I am referring to. The girls that add to the watchability of this movie are the models in the beginning. They border on perfection and were really easy on the eyes. Also, Emmanuelle Chriqui (who plays the role of Dalia, the Zohan’s love interest) lights up every scene she graces. She alone could be a legitimate reason to watch You Don’t Mess With The Zohan.

As I said before, the storyline and acting take a backseat to the jokes. Not that the acting was very bad, but no Oscar winners will be had by ‘Messing with the Zohan.’

Michael Buffer makes a sustained appearance as a rich and greedy landlord which I didn’t like. He didn’t necessarily do a bad job, it was just that I was so used to him bellowing ‘Let’s Get Ready to Rumble!’ at Boxing matches and UFC tournaments, that I had a difficult time watching him do anything else.

Also, Adam Sandler’s Israeli accent leaves much to be desired. This may be ignorance on my part, but it seemed as if his accent was more French than Middle-Eastern.

I could easily see some people thinking You Don’t Mess With The Zohan was corny or too unbelievable. This may be true, but as a comedy, a movie is supposed to bring laughs…I feel that You Don’t Mess With The Zohan did just that.

 

 

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