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A ROOM FOR ROMEO
BRASS
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Suddenly Romeo wants nothing to do
with Gavon, nor does he really visit him once he's had back surgery, and
Romeo and Morell become friends. I admit I was fooled. Upon first glance
and about forty minutes in to the movie, you get the sense this is going
to be about two friends who form a bond with a mentally unstable and
innocent man who means well. Morell, is a person who corrupts a strong friendship very easily, thanks to Romeo, and the film manages to basically examine simple people, in a simple story about family, but then it's all disturbed with Morell, a seemingly innocent element reaching out for friendship. He is a dangerous element not too easy to categorize. It's easy to see he's pretty erratic and off his rocker from the beginning, so his sudden dark turn personality-wise will not surprise the audience in the least because it's to be expected. As the movie progresses we get the hunch that Morell may actually be smarter than he seems. The family isn't exactly what you would call tightly knit. Ladine really dislikes her brother Romeo, Romeo is constantly being thrown out by his mother, Gavon's father cares more about what's on television than what's going on with his son who is experiencing back surgery. But the most important story element is Romeo's estranged father who re-appears one day and is greeted with less than welcome arms by Romeo who despises him, which ultimately gives Morell a chance to sneak in with a relationship with Romeo. All the while the movie turns from a funny, charming film about family, and sinks down in to a dark, intense, and occasionally very disturbing portrait of what happens when you get too close to someone you don't even know for sure. Morell experiences a drastic character change halfway through the film that will leave audiences basically with their heads spinning, and Paddy Considine, a very underrated overlooked actor, handles the sudden transformation well as the movie continues on its streak of disturbing scenes that thrive on simplicity. Some scenes were funny, some plain disturbing, and others just funny because they're very uncomfortable and Considine excels. We're never sure if Morell is aware of his psychotic tendencies or if he doesn't know any better, but the movie ends on a note you'd want and wouldn't expect. I can't say enough about Paddy Considine. This is a man who pulled in great performances in "Cinderella Man", and "In America" and still is overlooked. He is an excellent actor and he's excellent here and manages to steal the movie away from the two boys who are the main focus. It's a shockingly obscure movie that I thoroughly enjoyed.
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