RAGING AT BATMAN WEEK 2: SPIDER BOOGALOO
11/18/10
Momar Van Der Camp

 

Here's where things get weird. We've returned. And I'm really trying to make this a weekly adventure. We'll see how that goes. We really will.

When I started Raging at Batman, the initial run, it involved 2 heavy hitters. One was Batman and one was Spider-man. And since I started this run with Batman, I figure I may as well continue forward with Spider-man. Broad strokes, people, broad strokes. I was wrong. I was very wrong, in a million ways was I wrong, when I complained about Brand New Day. I thought it was going to suck hard, and I thought it was going to be a joke and I thought it was going to talk down to us as fans.

I was wrong. And I might be a proud man, but I will be honest. I was really really wrong. I love Amazing Spider-man. I love it so much that it’s the only monthly comic from the big 2 that I buy that costs 3.99. We’ll talk about 3.99 comics next time.

But ever since Amazing Spider-man 600 came out, with a fantastic lead story by Dan Slott and John Romita JR, two amazing talents that deserve every accolade thrown at them, I’ve been hooked. 48 issues later, and I’m still hooked. I love the run, in spite of some major flaws, I’ve loved damn near every moment of it. I loved Waid’s run and I loved how he changed Peter and made him the lovable loser he once was. I loved Slott’s work and I really love what they did with Doc Ock. I really really loved the Shed story-arc with the return of the Lizard and how awful and terrible he truly is. Zeb Wells and Chris Bachalo killed on that one.

Basically, I love Amazing Spider-man and my Spidey fix is matched damn near weekly every month and it’s a blazing excitement. I haven’t yet read 648, but 647, the last issue by the Web-heads, was outstanding. It was a truly clever way to tie the whole arc together and finalize a lot of story-arcs, but it didn’t matter, because it was enjoyable. Granted, there was one giant slap in the face storyline, the One Moment in Time story, but even that had some killer artwork by Paolo Rivera. It didn’t hurt the story that his art was amazing, and yes, the story sucked really ridiculously hard, but it’s over.

As a fan of Spider-man, I’m moving on. I can rage about the book if it starts to suck again, but right now, it’s one of the better things Marvel is putting out. Now, because Spider-man is all over the place, let’s move into the Spider-man Shattered Dimensions game for the second part of my lovefest of Spider-man (this shouldn’t be called Raging this week but Lusting/Loving or something. We’ll get to the anger, don’t worry at all).

Shattered Dimensions has the value of what is missing from a lot of things these days: playability. Yes, it feels a lot like Arkham Asylum. But how in the world can that be a bad thing? When you mimic the best comic-based video game in years, you’re on the right path. And they did. Playing as Amazing Spider-man (voiced by NPH), Spidey 2099 (voiced by Alan Alda-alike from the Spidey and his Amazing Friends), Spider-man Noir (voiced by the lovely voice actor from Spider-man the Animated Series from the early 90s), and Ultimate Spider-man (voiced by the awesome Spectacular Spidey voice actor), this is outstanding. On all levels, this game really follows through.

Great villains. Great missions. No need to make it open ended because those games sucked really badly when all you did was stop purse-snatchers and assholes and bank robberies.


Editor's Note: Spider-Man Noir is the coolest.

This game delivers on a number of levels that a majority of video games these days don’t. Great graphics, great music, and great everything, especially the unlockables, this game has everything.

Now the Rage! The true anger and rage!

First, Spider-man the Musical. Turn off the Dark. Or whatever the hell they’re calling it this week/month. The play that may never be seen by human eyes and may never be heard by human ears. No worries there, because for all intents and purposes, this could just be the most awful piece of crap this side of the film remake. The fact that this is the first place we might see Carnage pisses me off. The ridiculous costumes for the Green Goblin and the new villain Swiss Miss or whatever the hell they’re calling her are just making me see red.


Carnage may be a vicious cold blooded murderer,
but his vocals are angelic.

I mean, how the hell can CARNAGE be on stage? The greatest mass murderer Spidey has ever faced and he’s going to be on stage, on Broadway? Singing and dancing and all the other shit, and you’ve got a killer monster running around after you? Bullshit. I call monster bullshit on this one. I really hate this. Green Goblin has become my least favorite Spider-man character (including Paste-Pot Pete and Venom) because he’s just ALL over the damn place. You don’t have to worry about him in the new movie thank god, but after three damn movies with Green Goblin either in them or a shadow falling over the others in the film, why is he necessary on Broadway?

And where the hell is Venom? Is he in this thing too? Him, Carnage, Swiss Miss or Iron Maiden or whatever, Green Goblin and god knows who else, it’s everything and the kitchen sink with this play. And we all know how well that worked for Spider-man 3. I guess the only good thing about this is it might be more emo than that giant waste of time. I will stress might here.

And finally: Spider-man: The Live Action Remake! Where the hell do I begin with this? Honestly, I don’t know.

I’m okay with Marc Webb as the director. 500 Days of Summer is a good movie. I will say that. I will say that the voice of it was great and the filming was great and whatever. He’s young and talented but he’s unheard of and he’s untapped and he might bomb this movie like other unknown directors have previously. This might be Alien3 for him. Or Benjamin Button even.

And those are both bad things.

Beyond him, I felt like maybe there could be great strides made for this film. I felt like starting over was a stupid idea, a ridiculously stupid idea. It’d be like making a new Superman movie and retelling the origin, again. Oh, wait. Bad example. It’d be like making Green Lantern’s costume all CGI. Hmm. Bad example again. So restarting Spider-man, the Ultimate version. I could live with it. Have him be a high schooler and have him be played by someone young.

We all had our picks in our heads. Mine was Dan Byrd, the son from Cougar Town and I’m pretty sure he even co-starred with Emma Stone in Easy A. Great idea right? He’s nerdy, he’s dorky, he’s built like Peter Parker. He’s even right around the right age.

If you want to go older, go Joseph Gordon-Leavitt and just run with it. He looks young, he can act young, and he was great in 500 Days of Summer and great in Inception. He’s too old to play Spidey they said as they are planning to go young with the role because he’ll be a high schooler. Actors came out of the woodwork. The kid from Journey to the Center of the Earth 3D. Billy Elliot (the actor who played him). And countless others that are too numerous to even get close to naming.

And who did they hire? A 27 year old British guy. Hmm.

He looks Peter Parker like, but he’s 27. He’s old. He might be able to play young, but he’s an unknown entity just like the director. So he’s not really someone I’m rallying behind. Will I see the movie? Possibly.

So strike one. Maybe strike two. Two things going for it: Martin Sheen and Denis Leary.

I’m excited for these two. I really am. Uncle Ben and Captain Stacy, two men who help Peter become a man and then die in the process, played by two amazing actors. Too bad Aunt May might get played by Sally Field which is a terrible idea beyond all terrible ideas.

I like Emma Stone, but really liked her for MJ. Gwen? Wait and see. Rhys Ifans as Curt Connors/Lizard? No. No way in hell. Possibly not JK Simmons as JJJ? NO! No goddamn way in hell.

And the budget? A joke. 80 million for a Spider-man movie involving an all-CGI villain? For god’s sakes, someone go and slap Sony in the face and remind them that maybe the worst thing in the world wouldn’t be losing the rights of Spidey to Disney. Maybe the worst thing in the world is making this movie and making complete asses out of themselves.

Am I prepared to rescind these comments? Yes. But I’m terrified that this movie is going to suck so bad that I won’t have to. I hope I’m wrong about this and the play, but I’m doubting it.

And that’s how I will rage.


D'oh...?

 

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