|
Some of my favorite romance films of all time involve fractured
romances. When two of the unlikeliest people come together to realize
they’re in love is much easier to watch than two sleek models pretending
they can’t get dates and find one another. You’re not fooling anyone.
“Selling Hopkins” is that fractured romance that I can appreciate. Scott
Eathorne creates this wonderfully acerbic little film about two
hopelessly lonely and miserable folks finding one another thanks to… a
stain? Toby is a young man who has reached a low point in his life, and
is basically listening to inspirational cassettes to get through the
day, there’s a knock at his door and he’s approached by a female
salesman named Mya, offering stain cleaner on the brink of tears. This
awkward meeting between these two obviously sad folks escalates into a
rather unwieldy series of small talk between them, as Mya expresses her
sadness, all with Toby looking on wide eyed and clueless.
|
“Selling Hopkins” is a romance,
but hardly a blustery one. It’s merely a meeting of chance
between these two people with no one to help them, and they
find that they’re there by mere coincidence and find each
other in the haze. They talk of stains which end up as more
of a symbol of how they approach life and mundane
conversation, and Toby’s response to Mya speaking of
discovering her dead dog is just priceless not because of
the laugh it induces, but because it pretty much sums up why
Toby may be alone. |
|
 |
Mya makes a person
uncomfortable, and Toby simply has no social skills, and yet they like
one another, and the usual off putting caveats in their personalities
ends up attracting one another assuring the start of a possibly long
relationship. Eathorne gladly never lays it on too thick nor does he
beat us over the head with their idiosynchrasies. He just simply shows
us a moment in the life of two sad folks who fall for each other based
around a conversation of gardens and paint, and almost live happily ever
after. One thing is for sure, when they’re at parties, their story will
put people to sleep, but who cares as long as they’ve got each other?
Hell, I dreaded this movie upon first glance, but I was proven wrong.
It's a quaint, low-key, and graceful romance comedy that pairs two
lonely unassuming folks and gives us a glimpse at a possibly long
romance. The great performances, sweet script, and quirky humor pretty
much left me begging for a feature length version.

|