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STREET THIEF
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The lingering question will indeed be, if you knew one way or another that “Street Thief” was or wasn’t a documentary and that Bader put us on, would you still enjoy this movie? But then, that’s the testament of excellence toward “Street Thief” in which the atmosphere is so utterly genuine, and the personas so damn electric that you’ll always be wondering to yourself if these are all actors, or actual personalities that hover around the crime community. In a world where directors challenge the conventions of documentaries (“Behind the Mask”), and or tell us we’re watching documentaries and are clearly bullshitting us (“Unknown White Male”), it’s quite refreshing for the director to outright challenge our perceptions, and ask us to choose which we prefer to think of “Street Thief” in the end. Fantasy or Reality? Fiction or non-fiction? It’s up to us to decide in the end. “Street Thief” leaves you theorizing and debating hours after the credits roll, and I’d say fiction or not, Bader has done his job as a storyteller, he’s left us wanting more.
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