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Why is Edgar Allan Poe’s “A Tell Tale Heart”
so utterly easy to adapt to any setting we can think of? Because, Poe’s
story wasn’t just a story about crime that surpassed the criminal mind,
but he also dealt with guilt. Whether we know it or not, every criminal
wants to be caught. And guilt can manifest in forms that we can never
imagine. What Poe dealt with was the possibility of the supernatural
taking form to wreak havoc on our conscience. And “Tell-Tale” is a
wonderful variation of the story.
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Roberts places his own version
of the story on the screen through this stunning short that
brings about a whole new style to the madness.
There are some sequences in the film that
are utterly beautiful including one in particular taking
place in a prison hall, but Roberts doesn’t just retell
Poe’s classic tale. Instead, he twists it to fit modern
conventions and add his own twist to the story, one that’s
radical and yet memorable. |
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Roberts' skills as a director and writer are
utterly apparent here, with a film that’s Gothic without adhering to the
conventions, and dares to delve into the mind of this woman who can not
stop hearing the beating of the hideous heart. Jennifer O’Kain gives a
remarkable performance as the young woman forced to live a life with a
violent family, which she’s consistently haunted by, and really does
hold the weight of the story with skill. Robert’s story is a morbid and
rather memorable homage to Poe’s tale of murder and the power of the
conscience, and Roberts is a talent to watch for in the festival
circuit.
Roberts' own interpretation of the Poe classic is stark, and rather
imaginative, with excellent direction and a pretty eye catching
performance by Jennifer O'Kain. Check this film out if it rolls around
your local festival; it's rather outstanding.
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