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THE KEY
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Regardless, she’s forced to confront the world as one day she psyches herself into stepping out of her apartment and leave the rent money for her landlord. But on her way back, she breaks her key, and as she becomes anxious she finds herself torn away from her own world further and further. While almost forced out of her world, she re-discovers the outside world in the process. What’s so brilliant about “The Key” is not only is it a sweet romance, but Kaufman manages to capture the all-consuming fear of agoraphobia without fault. The inside of Miriam’s world is sweet yet tragic, while the outside world is frightening, and dark. Shaw’s performance is utterly wrenching as she re-discovers the moon and manages to meet someone who invariably helps her. The story is capped off by a beautifully ironic surprise ending that I never saw coming. When a short film such as this can pull me in, it speaks of true talent.
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