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THE PLAGUE
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It’s likely the bad audio on the screener I received, but the film was often very rambling and tedious to sit through without its chain of events actually taking us anywhere. Often times, films that are randomly set in a chain of sequences chronicling a day in the life of a group of people have a general hook to it, but Hall’s film simply didn’t. It examines the random lives of a group of friends through a day in London, but it simply doesn’t add up to much in the end. Especially when we’ve had glimpses with the very same goals that really seemed to amount to more in the end. Beyond the general concept, I could never be sure what Hall was trying to get across, and I felt as if I was merely watching it trying anxiously to be something. Hall’s direction is tight but the editing really does slop up what could have at least been a gritty film. Editing is scattered, and there was many a poor camera angle I could barely muster excitement or fascination for. Here in the states, we receive many of these films. “Wassup, Rockers” is a film very much in the same vein. Sure its characters look realistic, and the concept is right on, but it never leads anywhere remotely recognizable, and sadly, I wanted a more cohesive story. I don’t even have to have an arc, but I would have loved motion and progression that led somewhere in the end. And I was disappointed, I have to say.
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