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THE MAD
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At one point, Zane’s character attempting to fight off a zombie looks more like he’s dancing with it, a scene too reminiscent of the choreographed beating set to music on the bartender in “Shaun of the Dead,” to be funny. Characters are virtually unaffected by the deaths of their loved ones, this small village of innocence bystanders that eat these rabid burgers suddenly go missing, and we only see about four zombies at a time, and characters are introduced for no clear reason at all. We even bare witness to a flat gag involving a hapless hotel patron who is interrupted during his sex with a plastic doll, only to see him massacred by the zombies creeping around. “The Mad” then completely dismisses any of the aforementioned story, only to tediously meander into a story about the farmers that created the meat, and then just completely loses all sense of its identity dissolving into a father and daughter melodrama. “The Mad” is simply all over the place, and lack of any of the laughs, or terrors it seeks.
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