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2002 |
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Rated: PG for
violence and sexual themes |
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Genre: Fantasy Romance Drama |
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Directed By: Jay Russell |
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Running Time: 1:30 |
| Review
by: Felix Vasquez Jr. |
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Review Date: 9/7/03 |
DVD Features:
Audio Commentary -
1. Jay Russell - Director, Jonathan Jackson, Alexis Bledel, and
Scott Bairstow - Stars
2. Jay Russell - Director, James Hart - Screenwriter
Featurette - 1. · "Lessons of Tuck"
2. "A Visit With Natalie Babbitt"
Trailers
Interactive Features:
Scene Access
Interactive Menus |
| If you like this,
try: Tuck Everlasting (1981), Romeo & Juliet, A Walk to Remember, Aladdin,
Our Town. |
|
|
TUCK EVERLASTING |
"People will do anything, anything
not to die. And they'll do anything to keep them from living their lives.
One thing I've learned is don't be afraid of death but be afraid of the
unlived life." - Angus Tuck
I have
never heard of this book before and I was rather hesitant to watch this due to
the fact that it was left basically unnoticed and pushed to the side in the
midst of all the big budget trash in the theaters. I have to admit I was
pleasantly surprised at the quality of this story. Alexis Bledel gives a really
good performance as the main character Winnie and really helps drives this
movie. She's a really gifted actress and is able to pull off the early century
lingo without fault of flaw. She reminds me of a young Brooke Shields giving
both hard gritted strength and warm vulnerability all at the same time. I really
became interested in her character and really wanted to know how she would end
up by the end of the movie. Scott Bairstow and she have great chemistry together
and are very reminiscent of Romeo and Juliet in certain scenes. He really gives
the conflicted tortured persona who's forced to live life and watch people come
and go as he stands still.
Sissy Spacek (In the Bedroom, The Coal Miner's
Daughter) gives a truly powerful performance as Mae Tucker, the leader of
the household who manages to bond with Winnie and show some true desperation
within her character. We can always get the feeling of dread and misery within
her eyes and personality, even when she spins the music box which she helps to
soothe her in stressful times. She's a great actress and really packs a powerful
performance. The story is very sophisticated and brings about many
philosophical and religious questions before the audience. If you had the chance
to be immortal would you? Would you choose to live life while you can and die,
or would you choose to stay alive forever and never fully experience what life
has to offer and simply stand still in one phase for all eternity? I was rather
engrossed in the questions given to the audience all the while watching these
two young people from completely opposite ends of the world falling love. What's
good is that the romance plot between Bairstow and Bledel is never shoved down
the audiences throats nor does it ever get dull and redundant. The questions in
the aforementioned sentences are always given to the audience as Winnie Foster
is forced to decide whether she would stay mortal and live life, or become
immortal and live it with her true love.
Ben Kingsley gives a both intimidating
and grim performance as "The Man in the yellow suit" who symbolizes the
depletion of the philosophical idea presented within the story and seeks the
family and the fountain of youth for pure greed. He always gives a great
performance, especially as a villain as shown in "Sexy Beast". He stands as
simply a presence among the characters rather than a true character and never
gives his name. The climax to the film is truly powerful and gives the
audience a definite decision made by Winnie, but the question still remains in
the air for everyone to decide among themselves.
There
are a lot of good actors on display in this film, the problem is that they're
all underused. I really loved the story and the whole concept, but I would have
loved to see more of the feature characters. Veteran actor William Hurt has
basically no purpose in the story except stand around and give lectures. He was
the patriarch of this mysterious family yet we never truly learn a lot about him
and the story doesn't give us room to care. He gives a pretty mild role and is
never able to stretch his skills to its fullest extent. Also we get the sense
somewhere along the line that Amy Irving is a domineering mother and that Victor
Garber is the loving father, but they're only featured for twenty minutes
combined within the whole film, so it was nearly impossible to make sense of
their character's personalities. They're more like scenery and a backdrop like
the setting, only there to react and serve as obstacles to the romance. Also
Jonathan Jackson (Wild America, Killing Mr. Griffin) who does what he can
with his scarce material is never emphasized upon nor is his conflicted and
depressing personality about the death of his beloved family. The narration
basically serves no true purpose in movie the story along and it seems more like
filler where the director went faulty. Was there any reason why Elisabeth Shue
did the thankless job of narrating?
It's a
shame this movie was basically pushed aside at the box-office; despite
many reservations with the plot, this is a really good and thought provoking
film on life and true romance.

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