|
WOLF CREEK
|
||||||||||||||
|
Jarratt's smile signals to us that he's friendly, but once he becomes
mean, he's the figurative
Ever seen "Texas Chainsaw Massacre"? Well, then you've seen "Wolf Creek" just take the setting to Australia, the end. Why should you waste ninety minutes on this? Either way, McLean seems to want to give us something original, but the fact is there's nothing original here. This is an Australian "Texas Chainsaw" and there's nothing flattering about that comment; it's derivative, it's clunky, and it fails to give me what I was expecting. Usually foreign horror gives me joy, because they know how to make horror better than Americans, however, McLean is the exception to the fact. "Wolf Creek" breaks no ground in the field of horror, whatsoever, and you're probably second guessing me. Maybe I was expecting too much, or maybe my expectations couldn't be met, but I was expecting an original horror film, and all McLean gives us is a vicious slasher film that exposes its audience to scenery we've laid our eyes on millions of times, including in "Texas Chainsaw Massacre". Junkyard/home base? Check! Psycho with a favorite weapon? Check! Deserted roads? Check! Hapless tourists? Check! Vapid exposition? Check! "Wolf Creek" is immensely underwhelming, and in spite of being based on true events, McLean doesn't take those events and create a watchable, intense horror film that plays on human fears of being lost and ravaged by an unforgiving presence, he just serves up another psycho hunting down teenagers. "Wolf Creek" is utterly predictable, standard horror fare, and that's not what I was salivating for. If I wanted that, I'd have watched something on late night cable. If you're going to have the balls to lay your cards on the table and signal to us that you have one hell of a hand, you better not be bluffing, or you'll get a knife to the gut. There are very few horror films these days that can so poorly develop its characters, but McLean fails to take our three titular characters and turn them in to human beings we can care for. From beginning to end they're nothing but three tourists who ended up at the wrong place and got in to a horrific situation. What films like "Haute Tension" and to a lesser extent "The Hills Have Eyes" succeeded in was letting us know these characters beyond their concepts. These three characters were never interesting enough for me to care about at all and I really didn't get too sad when one of them were off'ed. Sure, it was sad when one of them were killed, but I didn't know them enough to really connect with them on a deeper level. Meanwhile, McLean seemed to take great pleasure in showing these women be victimized, and tortured, and so utterly tormented beyond belief, it was sickening. When all was said and done, I just wanted the damn thing to end.
|
|||||||||||||||
|
|
|||||||||||||||
|
Have something to say about this review? Pop on over to Cinema-Lunatics
and speak your mind in our Answer Back! Forums >> |
|
[
Shop |
Link to
Us | FAQ |
Top^
] ¤ ¤ ¤ |