Fever (2022)

Director Brian K. Rosenthal’s “Fever” is a short but sweet spooky tale that uses a parent’s anxiety against them. He accentuates the anxiety with the introduction of a spooky creature, one that has absolute feature length potential. Fingers crossed. “Fever” does what most spooky stories do by taking a real world anxiety and completely elevates it in to a horrifying tale.

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Old (2021)

One thing that I had a problem with “Old” on is that M. Night Shyamalan sets up a lot of plot elements to his mystery that he doesn’t seem prepared to answer. Deep down, “Old” is a great concept and amounts to a pretty eerie movie. But the end result of “Old” is a great idea on paper that results in a clunky and occasionally silly movie that never quite knows how to close its narrative competently. “Old” seems to aspire toward cosmic horror, though it can never quite stick the landing when it comes to the Lovecraftian themes.

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My Eyes Are Up Here (2022)

Director Nathan Morris’ “My Eyes Are Up Here” is the kind of romantic comedy film that you don’t see often in the mainstream. It’s a short that I really wanted more of, because his short, clocking in at fourteen minutes, feels like the prologue to a very funny, and quite sweet tale of two people who find destiny after a drunken night in bed. “My Eyes Are Up Here” is a very sweet and entertaining slice of life that works toward subverting and breaking a lot of preconceived notions about the disabled.

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The Unknowable (2022)

Whatever you feel about horror or cosmic horror, you can never realty accuse director Zach Donohue of being unambitious. “The Unknowable” is a richly constructed horror film that takes influence from sub-genres like lo-fi horror and true crime documentaries for one of the more unnerving horror films I’ve seen in a while. Its H.P. Lovecraft meets Justin Benson and Aaron Moorhead, with a touch of David Cronenberg for good measure.

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Ranking The Films of M. Night Shyamalan from Worst to Best

February 3rd, M. Night Shyamalan offers up another potentially great genre film with “Knock at the Cabin.” The film, based on the novel by Paul G. Tremblay, is a thriller that’s been kept mostly a mystery by its studio. There’s not a lot that’s known about it, but with the cast and dire tone, I’m optimistic Shyamalan will deliver. Being a long time Shyamalan fan, I thought I’d rank the list of films that he’s directed, from worst to best. These are, of course, only films he’s directed.

Do you have a favorite M. Night Shyamalan film? Let us know!

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Every Bugs Bunny Ever: A Wild Hare (1940)

2023 marks the 85th Anniversary of Bug Bunny’s first animated appearance in 1938’s “Porky’s Hare Hunt.” Debuting originally as Happy Rabbit, Bugs eventually became one of the most iconic animated characters of all time. In honor of the landmark anniversary, we’re discussing every animated appearance by Bugs Bunny. We’re big fans of Bugsy and we hope that you are, too.

Follow us on this massive journey where we discover and re-discover Every Bugs Bunny Ever.

A Wild Hare (1940)
Directed by Tex Avery
Produced by Rich Hogan
Music by Carl W. Stalling
Animation by Virgil Ross

“What’s Up, Doc?”

Finally! Here we are that the final turning of the screwball. Bugs Bunny is here and he brings in all of his signature quirks and trademark personality. Everything is present from chomping down on his carrot, to outwitting the bad guy, to his iconic “What’s Up, Doc?” The character has evolved now with no black tipped ears, or black nose. Now he has his great punctuated ears, his pink nose, buck teeth, and sharp puffy tail.

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Miles Behind: A Spider-Man Fan Film (2022)

Director and Writer Tito Guillen’s short fan film for Miles Morales has a lot of feature film potential. It’s sad that it took so long for Miles Morales to garner his own animated film, but when it comes to feature films I think he could be an icon. That’s proven in “Miles Behind,” Tito Guillen’s tribute to Spider-Man that touches upon very socially relevant topics.

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Infinity Pool (2023)

Writer/Director Brandon Cronenberg’s horror film promises to be one of the most polarizing, if not the most polarizing, film of the year. It’s a grotesque, beautiful, nauseating depiction of sickening hedonism and amorality in its seductive and repelling. It’s a kaleidoscopic orgy of sex and violence and pure blood thirst that, as art often does, comfort the disturbed, and disturb the comfortable. “Infinity Pool” is the very definition of body horror, a movie that both celebrates and abhors everything about the body.

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