The 10 Most Intriguing Lost Screen Tests of All Time

Posted on June 2, 2023 by Phil Hall

For every sure-bet in movie casting, there are scores of questionable decisions on whether an actor can handle a certain role. And that’s where the screen test comes in.

A screen test provides the opportunity for a director and producer to determine whether a specific part should go to an actor who might not be the obvious choice for the role. David O. Selznick memorably shot scores of screen tests to find the right actors that would bring Margaret Mitchell’s characters to life in the film version of “Gone with the Wind” – except for the role of Rhett Butler, which was always envisioned for Clark Gable. Several decades later, George Lucas brought together a line-up of promising under-the-radar talent to test for his “Star Wars.”

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The Bootleg Files: Second Chorus

Posted on May 26, 2023 by Phil Hall

BOOTLEG FILES 832: “Second Chorus” (1940 musical comedy with Fred Astaire, Paulette Goddard and Burgess Meredith).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: On public domain labels.

REASON FOR BOOTLEG STATUS: A lapsed copyright.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely, although in theory there could be a rescue it from public domain hell.

In 1968, Fred Astaire returned to films after a six-year absence to star in the big-budget musical “Finian’s Rainbow.” In the media push for the film, Astaire was asked by a reporter which one of his film’s was his worst – the star stated without pause that the 1940 “Second Chorus” was the low point of his career.
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The Bootleg Files: Mondo Trasho

Posted on May 12, 2023 by Phil Hall

BOOTLEG FILES 831: “Mondo Trasho” (1969 underground comedy directed by John Waters).

LAST SEEN: On Archive.org.

AMERICAN HOME VIDEO: As a VHS title.

REASON FOR BOOTLEG STATUS: Music rights clearance costs are too high.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

It is difficult to appreciate “Mondo Trasho” today because the 1969 work was the first attempt at feature-length filmmaking and it pales in comparison to the classic works that he would be churning out during the 1970s. Even Waters has been harsh on his film, claiming in interviews that it was overlong – “It’s got 20 minutes of good footage in it” he said about the 90-minute work – and complaining that his black-and-white cinematography was overexposed.

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The Bootleg Files: Tony and Lena

Posted on May 5, 2023 by Phil Hall

BOOTLEG FILES 830: “Tony and Lena” (1973 TV special starring Tony Bennett and Lena Horne).

LAST SEEN: YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: Music clearance costs.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

During the 1970s – also known as The Decade That Good Taste Forgot – most television specials were bizarre concoctions populated by dubious talents. Where else but in the 1970s would the phrase “Special Guest Star” and names such as John Davidson or Florence Henderson be united amid waves of canned applause?
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The Bootleg Files: Vom Bäumlein, Das Andere Blätter Hat Gewollt

Posted on April 21, 2023 by Phil Hall

BOOTLEG FILES 829: “Vom Bäumlein, Das Andere Blätter Hat Gewollt” (1940 animated short made in Nazi Germany).

LAST SEEN: On the Internet Archive and on YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: No sane U.S. label is going to put it into home entertainment release.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Nein.

The filmmakers of Nazi Germany were pathetically jealous of their counterparts in Hollywood. After all, the German cinema suffered a creative brain drain after Hitler’s rise to power in 1933, with the greatest talents leaving for other countries while significantly inferior pro-Nazi talents remained behind.
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The Bootleg Files: See Ya Later Gladiator

Posted on April 14, 2023 by Phil Hall

BOOTLEG FILES 828: “See Ya Later Gladiator” (1968 animated short with Daffy Duck and Speedy Gonzalez).

LAST SEEN: On DailyMotion.com.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: It seems to have fallen through the proverbial cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely at the moment.

Fans of the Looney Tunes animation series will probably wince upon learning which film is in the spotlight in this column. “See Ya La Gladiator” has the sad distinction of being the last (and perhaps the least) of the theatrically produced Looney Tunes animated shorts featuring the classic-era characters – in this case, the severely mismatched pair of Daffy Duck and Speedy Gonzales.
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The Bootleg Files: The Bob Hope Special – The Central Park Show

Posted on March 31, 2023 by Phil Hall

BOOTLEG FILES 827: “The Bob Hope Special – The Central Park Show” (1974 TV special).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: There seems to be a rights issue that has yet to be cleared.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely at the moment.

If you’ve been paying attention to some politically motivative smart alecks on social media over the past few weeks, you may have seen the photograph at the top of this article. This photograph was presented as a pushback to recent legislation in certain states that have taken a dim view of public presentations of drag humor.
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The Bootleg Files: The Dumb Waiter

Posted on March 24, 2023 by Phil Hall

BOOTLEG FILES 826: “The Dumb Waiter” (1987 film directed by Robert Altman and starring John Travolta and Tom Conti).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: On VHS home video.

REASON FOR BOOTLEG STATUS: There seems to be a rights issue that has yet to be cleared.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely at the moment.

By the mid-1980s, filmmaker Robert Altman’s career was going through a rough patch. During the 1970s, he was praised by critics as being one of the era’s most original and provocative creative artists, but that adulation did not win him favor with studio executives with whom he had difficult relationships. After a series of box office flops and the indignity of having one film – the 1979 all-star “HealtH” – shelved by 20th Century Fox, Altman found himself focusing on small, lower budget works that were released by smaller art house distributors. He also pursued projects for television, which was highly unusual for a director of Altman’s prestige.
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