Body (2023) [Chattanooga Film Festival 2024]

Watch These Films (WTF) Shorts Block

Director and Writer Ronald Short’s horror comedy is a great little Halloween treat just a few months before the festivities begin, and I loved the spirit behind it. Short’s horror comedy leans more heavily in to comedy as a small Frankenstein monster Halloween decoration causes chaos in the house of a normal married couple one night.

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Bedroom People (2022) [Film Maudit 2.0]

The new standard for horror entertainment has become the lo-fi, filmed on VCR fodder that had lent something of a realism to even the more outlandish premises. The aesthetic has been used in a lot of facets of horror in the last eight years, including horror movies. The classic ARG aesthetic just works and it works well for the short from skilled animator and concept artist Vivien Forsans entitled “Bedroom People.”

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no more room in hell (2023) [Film Maudit 2.0]

“no more room in hell” is a masterclass in how to make a horror documentary without skimming copyright and licensing fees. Rebecca Shapass directs a de-construction of the Romero movie series by taking a deeper more abstract look at how environmental and ecological elements contributes to the rush of the dead, and the downfall of society. Shapass includes snippets of dialogue from the various scripts and spends a lot of the documentary’s time peeking in to various industries including excavation, as well as the rule of capitalism.

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Txotxongiloa (2022) [Film Maudit 2.0]

Director and Writer Sonia Estévez’s short stop motion film is a beautiful depiction of the life span of the normal woman and how she perceives their existence as a whole. The idea of the normal woman being depicted as some one living on strings is a fascinating bit of symbolism. Over the course of ten minutes, the animation depicts her as someone being held up by strings who seeks independence almost immediately.

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Slay (2024)

Now Streaming Exclusively on Tubi.

If you’ve seen the trailer or read about “Slay,” then yes, it is exactly the movie that you think it is. If you took “Priscilla Queen of the Dessert” and mixed it with “From Dusk Til Dawn” then you have what is essentially “Slay.” No more, no less. The thing about “Slay” though is that it is a siege horror comedy with vampires and drag queens it at least takes time to make up some of its own rules for vampire. This is a creative move despite the fact it’s also a trick use to cover up the movie’s obviously low budget. And I can’t complain, because the movie makes lemonade out of lemons.

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Hide Your Crazy (2023)

Director Austin Kase’s short horror romance is a premise teeming with feature potential. I could have literally watched two hours of this back and forth between the two characters stuck in this tragic romance. “Hide Your Crazy” is a film very much in the vein of “My Demon Lover” channeling a lot of that late 1980’s camp and genre mixing amounting to some top tier entertainment all around.

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The Spider (2023)

Andy Chen’s “The Spider” could be appreciated as a multiverse interpretation where the story of Spider-Man is not about a superhero but a body horror tragedy. “The Spider” is basically “Spider-Man” as told by David Cronenberg and takes all the basics of Peter Parker’s tale and transforms it in to a gruesome genre hybrid. With the excellent prosthetics and make up from Alen Stubbs, he and Chandler Riggs help to realize a slick and entertaining take on Spider-Man that is pitch black in tone.

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