The Bootleg Files: The Lord Don’t Play Favorites

Posted on October 4, 2024 by Phil Hall

BOOTLEG FILES 881: “The Lord Don’t Play Favorites” (1956 television musical starring Kay Starr, Louis Armstrong, Buster Keaton and Robert Stack).

LAST SEEN: On Internet Archive and YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: Music clearance issues and a poor quality surviving kinescope.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Nope.

One of all-time favorite books is Arthur Shulman and Roger Youman’s “How Sweet it Was,” which chronicles American television from the late 1940s through the mid-1960s. While many of the entries in the book are well-known, there was one photograph that always intrigued me – it was for a 1956 musical called “The Lord Don’t Play Favorites” and it showed Buster Keaton wearing a polka dot clown costume and his trademark flat hat while playing a calliope. Next to Keaton was Kay Starr, a popular singer in the 50s, who had a straw hat and a cane while wearing a striped blouse and a long black skirt. The caption for the photo only said that the show was a musical with a circus setting and co-starred Robert Stack, Dick Haymes and Louis Armstrong. (Yes, that’s the photo at the top of this page.)
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The Bootleg Files: The Apocalypse Now Workprint

Posted on September 27, 2024 by Phil Hall

BOOTLEG FILES 880: “The Apocalypse Now Workprint” (five-hour version of Francis Ford Coppola’s 1979 classic).

LAST SEEN: On Internet Archive and YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: Coppola doesn’t want this to be commercially released.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Nope.

I have a confession to make: I never liked “Apocalypse Now.” I’ve seen it several times, and with each new viewing I wished that my indifference to the film would be replaced with a sudden awakening of belated appreciation. I was hopeful that the longer “Apocalypse Now Redux” would trigger a positive response, but I found that more annoying than the original.
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The Bootleg Files: A Night on the Town

Posted on September 20, 2024 by Phil Hall

BOOTLEG FILES 879: “A Night on the Town” (1983 British television musical starring Ann Reinking, Eartha Kitt and Bobby Short).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: Clearing the music rights is too expensive.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not in the U.S, although there was a U.K. release.

Musical comedy is, arguably, the most difficult genre to create. Not only is there the challenge of having on-screen talent who can sing, dance, and carry off light comic material, but there is the equal challenge of behind-the-camera talent involved in orchestrations, choreography, and the various production duties needed to create a magical world where people break into song and twirl about as if it was part of the daily routine.
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The Bootleg Files: The Selfish Giant

Posted on September 13, 2024 by Phil Hall

BOOTLEG FILES 878: “The Selfish Giant” (1971 Oscar-nominated animated short based on the Oscar Wilde story).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: There might be a right issue that is unresolved.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely at this time.

One of the most poignant animated films ever made is the 1971 adaptation of Oscar Wilde’s story “The Selfish Giant.” Directed by Peter Sander and produced on behalf of Reader’s Digest, it is a truly wonderful production that received an Academy Award nomination. However, today the film is almost completely forgotten, which is a major shame.
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The Bootleg Files: No Man’s Land

Posted on August 30, 2024 by Phil Hall

BOOTLEG FILES 877: “No Man’s Land” (1978 production of the Harold Pinter play starring John Gielgud and Ralph Richardson).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: There might be a right issue that is unresolved.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: A re-release on DVD and Blu-ray is not likely at this time.

The greatest actors are those who do double-duty as alchemists – they have the unique gift of turning leaden works into marvels of shining gold. John Gielgud and Ralph Richardson are widely considered to be among the finest British actors of the 20th century, and together they elevated Harold Pinter’s less-than-remarkable drama “No Man’s Land” into an invigorating experience.
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The Bootleg Files – The Challenge: A Tribute to Modern Art

Posted on August 23, 2024 by Phil Hall

BOOTLEG FILES 876: “The Challenge: A Tribute to Modern Art” (1974 Oscar-nominated documentary narrated by Orson Welles).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: There might be a right issue that is unresolved.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: A re-release on DVD and Blu-ray is not likely at this time.

Question: How can anyone encapsulate the history of modern art in roughly 100 minutes? The answer: You cannot, although Herbert Kline gave it a spirited try with his 1974 documentary feature “The Challenge: A Tribute to Modern Art.” Perhaps the key word in the film’s title is “tribute” – as with any tribute, it provides a celebratory overview of achievement without plumbing the depth and scope of the subject with any great intensity.
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The Bootleg Files: A Doonesbury Special

Posted on August 16, 2024 by Phil Hall

BOOTLEG FILES 875: “A Doonesbury Special” (1977 animated film that received an Oscar nomination).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: On VHS and laserdisc plus a blink-and-you-missed-it DVD release in an anthology collection.

REASON FOR BOOTLEG STATUS: There might be a rights issue that is unresolved.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: A re-release on DVD and Blu-ray is not likely at this time.

As a prefix to this column, I need to confess that I’ve never been infatuated with Garry Trudeau’s comic strip “Doonesbury.” Yes, I am highly aware of its awards and cultural resonance, but I never found Trudeau’s brand of satire to amusing or provocative. That being said, I was curious to explore “A Doonesbury Special,” the 1977 production that marked the only time that Trudeau’s comic strip was adapted into an animated film. Trudeau collaborated with Oscar-winning animators John and Season Hubley on this work – John Hubley died while the production was in the storyboard phase, but he still received co-director and co-producer credit with his wife and Trudeau.

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