post

The Bootleg Files: 3rd Ave. El

BOOTLEG FILES 857: “3rd Ave. El” (1955 Oscar-nominated short).

LAST SEEN: On YouTube and Internet Archive.

AMERICAN HOME VIDEO: It was reportedly on video, but I can’t confirm that.

REASON FOR BOOTLEG STATUS: This fell through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE
: Maybe as a special feature.

New York City residents of a certain age will remember the IRT Third Avenue Line, an elevated railway that operated between Manhattan and the Bronx. The Manhattan portion of the line – which was informally known as the 3rd Avenue El – ended in 1955, while the Bronx portion of the line had service until 1973.
Continue reading

post

The Bootleg Files: The Strollin’ ’20s

BOOTLEG FILES 856: “The Strollin’ 20s” (1966 all-star television special).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO:
None.

REASON FOR BOOTLEG STATUS: There is most likely a rights clearance issue.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE:
Not likely.

Black entertainers have been part of the American television experience since the medium’s beginning, with no less a figure than the legendary Ethel Waters starring in an eponymous special in 1939 when television was still mostly experimental and extremely limited in its reach. Once television became more prominent in American living rooms, Hazel Scott and Billy Daniels briefly had their own programs, while in the mid-1950s NBC’s decision to have Nat King Cole host his own variety show created unexpected controversy when no national sponsor was willing to back the program. Harry Belafonte headlined a 1959 special that was sponsored by Revlon, but he rejected further productions backed by the company when he was ordered not to integrate his song and dance ensemble.
Continue reading

post

The Bootleg Files: Wolfman vs. Godzilla

BOOTLEG FILES 854: “Wolfman vs. Godzilla” (unfinished fan film).

LAST SEEN: On YouTube and Internet Archive.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: A right clearance issue.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

From a creative artist’s perspective, I could never understand the appeal of making fan films. I appreciate when teens and pre-teens create these cinematic tributes – there’s something very charming when the James Bond or Star Wars orbits are reimagined by an alternative universe of the under-18 crowd. But when adults spend a great deal of time and money in creating fan films, it usually leaves me cold.
Continue reading

post

The Bootleg Files: Woody Allen

BOOTLEG FILES 853: “Woody Allen” (1965 British television special).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: Not yet.

REASON FOR BOOTLEG STATUS: A performance rights clearance issue.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

On February 10, 1965, British television audiences who tuned into ITV had their first look at Woody Allen, who starred in an eponymous one-off television special. Most viewers that night probably thought “Woody Who?” – he was unknown in Britain and his fame in his own country was mostly limited to occasional appearances on television talk shows and in clubs that featured up-and-coming stand-up comics.
Continue reading

post

The Bootleg Files: The Woo Song

BOOTLEG FILES 852: “The Woo Song” (2024 music video by Corey Rieman the Dilemma Band incorporating Walt Disney’s “Steamboat Willie”).

LAST SEEN:
On multiple social media and online video sites.

AMERICAN HOME VIDEO: Not yet.

REASON FOR BOOTLEG STATUS: The underlying “Steamboat Willie” footage has been the subject of complicated copyright actions.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Some day, perhaps.

On New Year’s Day, Mickey Mouse was the center of attention because the copyright for the 1928 animated short “Steamboat Willie” finally expired and the groundbreaking film that helped usher synchronized sound into the world of cartoons was suddenly denuded of copyright protection. Less than two weeks after “Steamboat Willie” officially became a public domain work, footage from the film was incorporated into a bouncy music video for “The Woo Song” from the rockers Corey Rieman and the Dilemma Band.
Continue reading

post

The Bootleg Files: Naked Yoga

BOOTLEG FILES 851: “Naked Yoga” (1974 Oscar-nominated short).

LAST SEEN: On YouTube and Internet Archive.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: It fell deep through the proverbial cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

It has been said that the 1970s was the decade that good taste forgot, and that cogent designation is on full display in a 1974 short film called “Naked Yoga.” The film earned a footnote in cinema history as being among that year’s nominees in the Academy Award competition for Best Documentary Short Subject.
Continue reading

post

The Bootleg Files: Disney Time (The 1969 Christmas Special)

BOOTLEG FILES 850: “Disney Time (1969 Christmas Show) (1969 British television special hosted by Julie Andrews).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: The Mouse House isn’t letting it out.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

American television viewers and Walt Disney’s studio output have been in a very close relationship since the 1950s, but across the Atlantic things were a bit different. The Disney studio never established the same level of ubiquitous synergy with British television programmers that they achieved in their own country, and Disney’s televised presence across the U.K. was more limited.
Continue reading

post

The Bootleg Files: Dames at Sea

BOOTLEG FILES 849: “Dames at Sea” (1971 made-for-television musical starring Ann-Margret, Ann Miller and Anne Meara).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: There could be a rights issue preventing its release.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

In 1966, the tiny Caffe Cino in New York City’s Greenwich Village offered “Dames at Sea, or Golddiggers Afloat,” a good-natured send-up of the 1930s Warner Bros. musicals. With music by Jim Wise and lyrics and a book by George Haimsohn and Robin Miller, this 50-minute mini-production presented an unknown 18-year-old Bernadette Peters as Ruby, a send-up of the kid-in-the-chorus-who-becomes-a-star role that Ruby Keeler played in the yesteryear extravaganzas.
Continue reading