I’ve written in great length about director Fred Dekker’s “The Monster Squad” over and over. I love it. I’ve loved it since I was a kid, and I love it now. I wore out the VHS when I was a wee lad, I had a bootleg DVD in my collection when it was out of print for many years, and ever since I love to re-visit it whenever I can. “The Monster Squad” is a drastic departure from director Fred Dekker’s other cult classic “Night of the Creeps,” but like it, “The Monster Squad” is an unabashed love letter to horror movies, and the horror genre in general.
I have a long history with the “Police Academy” movie series, as well as a lot of nostalgia attached to it. As a child who was attached to the television, I spent many a day watching the adventures of Mahoney and the Police Academy on WPIX Channel 11 here in New York. I often watched two to six on television and almost always had a blast with it. I was able to see “City Under Siege” in theaters, and stuck with it right through the end where it became a TV show, cartoon, comic series, and then an inevitable pop culture running joke. It’s a very of its time movie series that would be impossible to duplicate today, and that’s why I love it so much. Shout Factory releases a new edition of this series that is stuffed with bells and whistles, but leaves much to be desired.
I plan to review the full movie series in the future.
Now that Hollywood is once again considering a remake of “Barbarella,” it’s that perfect time to re-visit Roger Vadim’s wonky science fiction mind fuck. Jane Fonda fresh off of beginning her Oscar caliber career took a break to headline what is one of the trippiest science fiction adventure films ever produced. Decades later it’s shocking how much “Barbarella” was a precursor to magazines like “Heavy Metal” allowing the writers to build a world and an engaging heroine, while also fully embracing the inherent sexuality of the narrative.
1990’s “Tremors” and I go a long way. It’s not just one of my all time favorite monster movies, but it’s also a childhood favorite and has a ton of nostalgic value. I first started watching it when my mom recorded it on VHS off of cable TV back in the heyday of the 1990’s. I wore that VHS out, suffice to say. I loved it and still love it. So imagine my surprise when in 1996, in came “Tremors 2: Aftershocks.” While this follow up is not at all like the original film it still manages to be pretty darn fun.
It’s the holidays once again, and this year has been a hectic one for the self respecting movie geek. As is the case we’re introducing a handful of movies and TV shows that will make wonderful gifts for you or the movie lover in your life.
Remember that when you buy through us, you also support Cinema Crazed. We’re also always accepting donations, if you want to show us some love for our hard work and coverage.
Happy Christma-hannu-kwaanzaa-ka to you, and a Festivus for the rest of us.
I liked “The Meg” enough to consider it a fun bit of James Cameron-lite entertainment, but I wasn’t exactly clamoring for a sequel. With “The Meg 2,” director Ben Wheatley leans heavily in to more unique elements allowing Jason Statham to be more physically active this time around, while also embracing the Asian influence. You just know Statham requested at least one action sequence of him fighting bad guys, hence the re-introduction of Jonas Taylor. Taylor is still a brainy scientist, but he’s also an ecological activist who skirts the law by breaking on to ships and stealing information from criminals. While “The Meg” was basically “The Abyss” meets “Deep Blue Sea,” this time around director Ben Wheatley opts more for “Jurassic World” meets “The Deep.”
2023 was abundant in religious based horror movies, and while many were an absolute bust, I have to say that I quite liked “The Nun II.” I am well aware that I am in the minority in this regard, as “The Nun II” proves to be as divisive as the original film. The original works fine but is still the highest grossing film from “The Conjuring” universe; the producers don’t really aim for a soft reboot, this time continuing the saga of young Sister Irene and her new friend and colleague Sister Debra.