Category Archives: A+ Indie

Mad Heidi (2023)

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Tickets are now on sale at Fathom Events; coming to theaters nationwide for a special one-night engagement on Wednesday, June 21st at 7pm, local time.

A lot of the media likes to use the words “Indie film” whenever referring to a movie that isn’t entirely mainstream. The word has been homogenized over the years, as films like “Mad Heidi” are lost in the shuffle. “Mad Heidi” is a real indie film that worked hard to get a distribution deal, and it is here for us to gorge on. According to the press release, “Mad Heidi” initially made waves for its innovative crowdfunded approach, bypassing traditional financing tactics to ensure that the film’s original vision was preserved while placing profits back in the hands of the creators and backers. Even if neo-grindhouse isn’t your cup of tea, “Mad Heidi” deserves a lot of love for its willingness to embrace its indie roots, while also being literally as cheesy as it can possibly be.

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Savi the Cat (2022) [Tribeca Film Festival]

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Directors Bryan Tucker and Netsanet Tjirongo’s “Savi the Cat” is one of the more unsuspecting short documentaries of the year. It’s a human story, but one that revolves around owning a pet. It’s amazing what adopting a pet can with and to your life. It can change it in ways that we never thought were possible, which is why so many pets are up for adoption. Not many people realize just how much of a task it can be to maintain and keep any kind of domestic animal. With “Savi the Cat,” the pair of owners not only learns about the humongous task that is of owning a cat, but the toll it inevitably takes on their relationship in the long run.

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Going Nowhere (2022)

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One of the things that being a filmmaker does is it grants you the ability to know the true hardships of really making a film. For an indie filmmaker, simply getting your work out there is not just a labor of love, but it is laborious in and of itself. “Going Nowhere” is thankfully one of the many very good indie productions about making movies. Izzy Shill’s feature film debut is a meta-mock documentary about the struggles that come with getting a movie finished. Along the way she also tackles ideas about human relationships, getting the perfect message across with your film, and the impostor syndrome.

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Superman Awakens (2023)

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Antonis and Stavros Fylladitis’s short fan film “Superman Awakens” is an absolute accomplishment. It’s only four minutes in length but it conveys a very interesting and intriguing story that is complimented by the massive animation. Rather than attempt a live action film, “Superman Awakens” is animated through CGI, created with Unreal Engine 5 using Lumen technology, and tells the tale of a Superman that has lost it all and is trying to find a reason to keep going.

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Martha (2019)

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Director Christopher Haydon’s short film is both a compelling drama, and a rather captivating mystery. In its own way it’s a horror movie, but more a horror movie about loneliness, isolation, and repetition. The entirety of “Martha” is meant to be cryptic, as Haydon begins the film on a single scene of a woman sitting in a hall with a single red balloon.

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Kalley’s Last Review (2020)

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Man, Julia Bailey Johnson’s short horror film “Kalley’s Last Review” is gruesome. I mean it’s not just gruesome, but it’s also a sharp edged commentary on influencer culture and review channels on youtube. It’s kind of like watching someone just gradually descend in to madness, and while you really want to stop them, you can only just sit and watch them slide further.

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The End of the Squirrel (2022)

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Death is inevitable. And it’s not too often we can stare it in the eyes and welcome it with open arms. “The End of the Squirrel” is a refreshing, kind of heartbreaking take on the zombie apocalypse, where everything goes wrong and its heroes simply… accept their fates, once and for all. They’ve done everything they could do, and now it’s a matter of how they go out.

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Mukbang (2022)

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One of the big sensations of the youtube age are Mukbangs: where people or a person sits on in front of a camera to eat food for the audience. Sometimes they’re usually discussing an issue or completing a challenge, but most times the attraction is watching someone eating food. “Mukbang,” from ACM Official, is a great twist on this formula that takes this trend and turns it in to a bonafide tale of horror.

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